“no ke aha i hanaʻia ai ke kiʻi”

Robert Uluwehi Cazimero, the gentlemen of Hālau Nā Kamalei o Līlīlehua, Kealiʻi Reichel, his hui hoʻokani, and some of the ladies from Hālau Keʻalaokamaile will be featured throughout the concert. Uluwehi and Kealiʻi will also join with the Lei ʻĀpiki of HMI to create some magical moments and collaborate on a few hula.
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‘A‘ohe hana nui ke ‘alu ‘ia. Through this ‘ōlelo no‘eau, nā haumāna a Kawaikini learned the meaning of working together, especially while in the wa‘a. They also got a chance to learn about how mass and speed affects kinetic energy by participating in our small boat activity, paddling in our boats, and learning on the slip n slide.
‘O ‘Ōhi’a ka lua o nā hua’ōlelo i koho ‘ia no ua po’oinoa lā. ‘Eā, he nui kona mau mana’o. Ma kēia kolamu na’e e hō’ike ai i kekahi mana’o e pili ana i ke kumu ‘ōhi’a lehua. He kumu lā’au ia nona ka lā’au pa’a a nona pū ka pua ‘ula’ula ‘o ka Lehua. I ke au i kūnewa aku nei, ua kapa ‘ia ke koa ikaika a mākaha he Lehua ma muli o ka like o kona kūpa’a me ko ka ‘ōhi’a lehua. Ma kēia kolamu, ‘o ka Haku ‘Ōhi’a ke kanaka nona ka na’au ikaika kūpa’a e like me ko kākou mau koa Hawai’i.
I am using as a historical reference for my novel set on the Big Island. my visit to the island have made me feel connected to a historical spirituality that I would like to incorporate into a novel which requires some factual knowledge… Hoping to prevent having native academics heavily criticize my efforts.
Ma luna o ka puʻu, e kuhi ke kumu i nā wahi pana a me nā kūpuna o ka moʻolelo (Akaka, Nālehuaoakaka, Kauhi ma Waʻahila). E kuhi nō hoʻi i ke ākea o ke awāwa me ka haʻi ʻana i nā haumāna, “E pili ka maka a mahuʻi i nā loʻi i uhi iā lalo o ke awāwa e like me kā Kupuna Maka i wehewehe ai. E kaʻakaʻa ka maka i kēia manawa. ʻOkoʻa i kēia wā, ʻeā?”
This entry lacks etymological information. If you are familiar with the origin of this term, please add it to the page per etymology instructions. You can also discuss it at the Etymology scriptorium.
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“Nānā I Ke Kumu (Look to the Source), a two-volume work first published in 1979, describes Hawaiian beliefs and customs compiled by the Queen Lili‘uokalani Children’s Center to better understand and meet the needs of the Hawaiian families they served. Much of the books’ material was distilled from the Center’s Hawaiian Culture Study Committee’s weekly meetings. The authors strove to capture the freshness, the intimacy, and the “aliveness” of Hawaiian ideas put into action. Mary Kawena Pukui (1895–1986) is the primary source of information on Hawaiian culture not otherwise documented.
Ma hope iho, kāhea ‘o Pāpā i nā keiki kāne. ‘O kēia ka manawa no ka ‘aina awakea. He mau musubi a he mau mea ‘ono pua‘a kā lākou. ‘Eiwa a lākou musubi. ‘Ehā a lākou mea ‘ono pua‘a. Pōloli loa nō lākou. ‘Ai lākou i ka mea ‘ai a pau. Hō‘olu’olu lākou i ka manawa lō‘ihi. Noho lākou a nānā i nā kānaka he‘enalu. Hiki i ke keiki kāne lō‘ihi loa ke he‘enalu me ka maika‘i. “Hū! ‘Oi aku ka he‘enalu o ke keiki kāne ma mua o‘u,” i ‘ōlelo ai ‘o Pāpā. “He kā‘e‘a‘e‘a pulu ‘ole no ka he’enalu,” i ‘ōlelo ai ‘o ia.
A wela nā pōhaku, kīpapa ʻia nā pōhaku ma lalo o ka imu a ma hope o kēlā, ua wikiwiki loa ka hana.  I ia manawa, laulima mākou ka nui o ka hana a no ka wikiwiki.  Hoʻokomo ʻia nā pā kini ʻiʻo, ka pūmaiʻa i kīhaehae ʻia, ka lau maiʻa, ka lāʻī, nā ʻekemauʻu, a laila ke kapolina i ʻole e pakele aku ka māhu.  A hoʻomaha ihola mākou.
Good fish and good grilled cheese sandwich. The woman at the counter who helped us was very rude (the other one was nice, though). When my husband asked if he could bring his Taco Tita taco into Hana Hou so that he could eat with us, she barked at him, “No tacos here! You have to keep tacos over there!” When we ordered our food to go, she stressed that we couldn’t even eat together with our taco-eater in the parking lot. Sheesh.
“It’s been good because, I got the opportunity before I leave, because Iʻm going off to college in a couple weeks, and my grandma sailed the Hōkūleʻa 16 years ago to Oʻahu, and I got to greet her yesterday, picking her up on the canoe…so it was a good experience.” says Tiana Bala, another haumāna of Nā Pua Noʻeau Lānaʻi.
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Ch.33 p.179 para.3 sent.2 Huli akula ke alo i Kaʻuiki, nānā akula iā Kahalaʻoaka, a ʻo ke kau mai a ke ao i luna pono o Honokalani, i ia manawa, he mea ʻē ka māʻeʻele o ke aliʻi wahine i ke aloha no kāna ipo, a laila, oli aʻela ʻo ia he wahi mele penei: with her face turned toward Kauwiki, facing Kahalaoaka, and as the clouds rested there right above Honokalani then the heart of the princess was benumbed with love for her lover; then she chanted a little song, as follows:
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The abaya “cloak” (colloquially and more commonly, Arabic: عباية‎ ʿabāyah , especially in Literary Arabic: عباءة ʿabāʾah ; plural عبايات ʿabāyāt , عباءات ʿabāʾāt ), sometimes also called an aba, is a simple, loose over-garment, essentially a robe-like dress, worn by some women in parts of the Muslim world including in North Africa and the Arabian Peninsula.[1] Traditional abayat are black and may be either a large square of fabric draped from the shoulders or head or a long caftan. The abaya covers the whole body except the head, feet, and hands. It can be worn with the niqāb, a face veil covering all but the eyes. Some women also wear long black gloves, so their hands are covered as well.
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