“e hoʻihoʻi aku i nā pirihimana”

Moses is also the founder and artistic director of Theatre Company, an organization dedicated to reintroducing the native stories of Hawaiʻi to the community. ʻInamona is a traditional Hawaiian relish made from the roasted kernel of the kukui (candlenut). It is sprinkled sparingly over mea ʻai (nourishing food) to gently enhance the natural flavor. Moses believes that no matter how skilled the storyteller, his (or her) work is merely a condiment to the greater sustenance. The true “mea ʻai” are the stories that have come before us, the stories of our ancestors.
The most obvious benefit to members of the club are the activities provided. At the beginning of the year, we have a “Welcome Back” picnic, so members can socialize and meet each other. About a week before Thanksgiving, the club goes on shopping trips to buy clothes and necessities for winter. During the break, the students who stay on campus participate in a number of activities, including getting together for a potluck dinner, going shopping, playing football, and going skiing. The last activity for the Fall semester is the annual Christmas Banquet, a nice dinner on campus where members can come together for one last time before going home for the holidays.
Out of the way GREAT diner. If you are ever on the Big Island and are hungry for some great tasting meals head on over or down in the case to Hana-Hou’s. Great food and great people. We will definite…ly be back. And while you are there you have to get a piece of their pies/cakes. Heck I’ll be back just for the desserts. See More
Bio: The understanding of hula lineage, the actual tracing of a dancer’s history, is an important concept engrained in all members of Hälau Nä Kamalei by Robert Cazimero. It was in 1966 that he himself was introduced to the woman who would eventually teach him in the ways of hula. Ma‘iki Aiu Lake was a prolific teacher of hula, with the desire that each person express all they hear, see, smell, taste, touch and feel through this form of dance…in other words, she taught hula is life.
Hiki i nā mea hana kelepona kahi papa mālama mālama i nā mea kūpiopio. A no laila e noʻonoʻo ai ke keiki’ōpiopio i kahi paci, i kekahi manawa e nui ai nā mea nui i loko o ka manaʻo ma kou waha. Hoʻomaopopo houʻo Baby i ke kōkua i kēlā me kēia o kēia mau mea maʻalahi. Ma ka nānāʻana i kēia mau mea i hoʻohanaʻia i loko o kaʻu mau pēpē,ʻaʻole i kūpono nā’ōpiopio no nā keiki ma lalo o 12yrs 24 !! manawa o kāu keiki e koi ai i ka nui o nā kumu āu e makemake ai. Ma mua o kou loaʻaʻana i kāu keiki pono’ī aʻaʻoleʻoe e makemake e hopohopo. ʻAʻole wau i hoʻomaopopo i kāu keikiʻuʻuku,ʻaʻole maopopo iaʻu ka mea āu i makemake ai.
ʻIPU HEKE, KĀʻEKEʻEKE & ʻOHE HANO IHU, KAPA & HAWAIIAN DYES, HULA KIʻI BEAMER TRADITIONS, HULA KIʻI TRADITION OF PUNA, KAULA & KNOTS, LAPAIKI, LAUHALA PREPARATION & WEAVING, NĀ LEI HULA, PŪNIU, ULANA ʻIĒʻIĒ, ʻULĪʻULĪ, HAKIHAKI, ʻIPU HEKE II, KOKO PŪALU, LAPAIKI II, TEST
ʻO ka haʻi ʻana i nā moʻolelo a me nā moʻokūʻauhau kekahi loina Hawaiʻi a ke kupuna a na kākou e hoʻomau i kēia mau loina i kēia wā me ka maiau a me ka maʻemaʻe, no ka mea, he kuleana koʻikoʻi kēia no kākou.
Welcome to nānā pono! This small corner of the virtual world is concerned primarily with the breathtaking diversity of cultural constructions and expressions of personhood around the globe. In particular, we will focus on sex roles, gender norms, emotional display rules, socialization rituals and the embodied experience of integrating all of these disparate threads into the complex tapestry of personhood.
Implied by Said’s analysis is a kind of “Occidentalism,” which suggests that the Orient discursively represents itself through the unequal power dynamic that paralyzes the colonized and blinds the conqueror to their own agency.
Hele aku lākou i loko o ke kai. A‘o aku ‘o Pāpā i nā keiki kāne e kū i ka papa he‘enalu. ‘A‘ole hiki iā Kawika ke kū i ka papa he‘enalu. E pūhili ana nō ‘o Kawika. Akā, ahonui loa ‘o Pāpā. ‘A‘ole i li‘uli‘u, a hiki iā Kawika ke kū i ka papa he‘e nalu. Hau‘oli nō ‘o Kawika.
Our August/September issue has arrived! Inside you’ll hear from incredible women taking on the world of big wave surfing, travel through the striking landscapes of Ka Lae, get a behind the scenes look at the company throwing many of Hawai‘i’s biggest lu‘au and much, much more. As always we look forward to hearing your thoughts.
McGarrett (Alex O’Loughlin), Danno (Scott Caan) and the Five-0 task force continue to wipe out the crime that washes up on the islands’ sun-drenched beaches, and this year are joined by new and old friends to help in their mission.
The R?dh? Tantra is an anonymous 17th century tantric text from Bengal. The text offers a lively picture of the meeting of different religious traditions in 17th century Bengal, since it presents a ??kta version of the famous Vai??ava story of R?dh? and K???a.
High-mahele lāʻau GcMAF (ng 1500, 0.5 ml) a lawelawe hookahi o ka hebedoma (huina 24 manawa) pu me ka pule kiʻekiʻe-mahele lāʻau intravenous wikamina C (huina 39 manawa). Local Hyperthermia (Thermotron RF8) a hou hookahi o ka hebedoma (huina 19 manawa). Ke hoomanawanui i ka piha ke ola. Ke iniiaiieʻeho, a mau iwi metastases a pau nalowale i ike i loko o ka iwi scintigram (iwi scan NineManga.com / iwi scintigraphy) a me MRI.
You and I, all of us, are responsible for conscious consumption of materials including plastic. Please eliminate single use plastics (and styrofoam) from your daily life. Take a day to note how much plastic you handle in your everyday life – find ways to replace these and avoid using such harmful materials to our marine ecosystems.
When Mary Kawena Pukui included “Nānā i ke kumu” in her book of ʻōlelo noʻeau, her translation of the phrase was “look to the source.” I was taught your “source” was one’s kupuna, history, genealogy, the actions already completed from which one should learn.  However, when I recently came across a phrase I didn’t quite understand, I found myself looking to a different source.
Ch.24 p.127 para.4 sent.1 A i ke kuʻi ʻana o ka leo o ka hekili, uhi ka ʻohu a me ka noe, a i ka mao ʻana aʻe, i nānā akula ka hana o ka ʻaha, aia ʻo Lāʻielohelohe me Halaaniani e kau mai ana i luna o nā manu. And when the voice of the thunder crashed, clouds and mist covered the land, and when it cleared, the place of meeting was to be seen; and there were Laielohelohe and Halaaniani resting upon the birds.
Makaʻāinana persevered during this period of change. They not only learned to read and write—making Hawaiʻi one of the most literate countries in the world— they also published and disseminated knowledge. More than 100 million pages of printed material were written in part by makaʻāinana. Their efforts have preserved much of our national narratives, mele, and moʻolelo.
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This is the Site Index of articles which include NĀNĀ I KE KUMU, with comment boxes for questions, stories, and our continued learning from each other: When people speak, they give voice to values, and their personal expression of them. In Hawai‘i, we call this expression their mana‘o.
The store also hosts a large selection of accessories ranging from hats, belts and cuffed bracelets that will finish off any modern look. With prices ranging from affordable to high end, it’s an accessible boutique to go to that covers a wide range of unique and interesting styles.
Since my first feather lei making experience, I have visited Aunty Paulette & Aunty Mary Lou almost every time I go back home to Honolulu.  I always learn something new, and both are always willing to share their no’eau (knowledge) with me.  I just wish one day I could have a small percentage of their talents.  They are not only knowledgeable on making lei hulu, but they know a LOT about Hawaiian history, the protocol for Hawaiian culture, and people who have influenced the development of the Hawaiian culture.
Great food and service but the desserts are ridiculously delicious. Chocolate cream pie, coconut cream pie, lilikoi bars, mac nut pies,and on and on. The selections were large as was the portion size and the flavors were huge. We shared around our table of four…More
Pili ke kanaka a me ka ʻāina; aia kākou i ka moʻokūʻauhau like e laʻa ʻo Kahalaopuna: ʻo kona kupuna kāne ka puʻu ʻoiʻoi ʻo Akaka; ʻo kona kupunahine ka ulu lehua ʻo Nālehuaoakaka (e ʻimi i ka ʻohiʻa lehua ma nā māla o MHC.); ʻo kona mau mākua ka ua Tuahine a me ka makani ʻo Kahaukani; ʻo kona ʻaumākua ka pueo a me ka ʻelepaio.
The event was held from 10:30 a.m. to 12 p.m. and located on the oceanfront side of the mall. It was a public event, welcoming members of the community and visitors alike to take a pledge against domestic abuse against women by encouraging men to walk a “mile” in high heels as a call for action, and promoting the cause to prevent domestic violence.
“ʻO kēia ka lua o ka ʻaha aʻo kūloko e mālama ʻia nei. ʻO ka mua, ua mālama ʻia i kēlā makahiki kula aku nei, i ka wā nō i hahana loa ai ke kūpale ʻana iā Maunakea”, i ʻōlelo ai ʻo Hiapo Perreira, he polopeka no Ka Haka ʻUla o Keʻelikōlani ma ke Kulanui o Hawaiʻi ma Hilo. Me ke kākoʻo o ke kulanui o Hawaiʻi ma Hilo i mālama ʻia ai he ʻaha hou me ke kumuhana ʻo ka paio kālaimanaʻo; he mākau a haʻawina i ʻike ʻia mai loko mai o nā hanana e kū nei no ke kūkulu ʻohe nānā ʻana ma Maunakea. Wahi a Perreira, “No laila, he ʻaha aʻo kūloko ma ke ʻano hoʻi e nānā hou aku ai i ka ʻike; pehea kākou e ʻike nei i ka ʻike, a pehea e hoʻohana nei i kēlā ʻike.”

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