When I was first allowed into an Oscar de la Renta boutique, reviewing retail for The New York Times, I found the garments mind-blowing. I clutched the insanely craft-saturated sleeves and stared into them like kaleidoscopes, wondering, “How many nuns went blind?” Layers upon layers of meticulous, eye-crossing detail created a mesmerizing depth of texture. There was so much going on: whole landscapes and leitmotifs wrought in black beads and marabou feathers; drapes and pin-tucks of such alien perfection and accuracy that the dresses looked like they were built by the Pixie Corps of Engineers.
The notion of a global fashion industry is a product of the modern age. Prior to the mid-19th century, most clothing was custom-made. It was handmade for individuals, either as home production or on order from dressmakers and tailors. By the beginning of the 20th century—with the rise of new technologies such as the sewing machine, the rise of global capitalism and the development of the factory system of production, and the proliferation of retail outlets such as department stores—clothing had increasingly come to be mass-produced in standard sizes and sold at fixed prices.
If a symbol of a hand is shown, then this is a delicate garment that should be gently hand washed. It is recommended to disolve the detergent in water before washing the garment . Do not stretch or twist the item.
Kids have so much adventure to experience and so many lessons to learn that plaids and polka dots shouldn’t even register on the radar. Let them get paint in their hair, sand in their shoes. Let them make mud pies with their best friends. Kids get one shot at childhood. They can’t relive it nor can they have a do-over. Imagine the time and money you would save if you stopped caring about your toddler’s color combinations and pattern matches. The possibilities are endless and your child will love you for it. Really.
The “Dolly Girl” was another archetype for young females in the 1960s. She emerged in the mid-sixties, and her defining characteristic is the iconic miniskirt. “Dolly Girls” also sported long hair, slightly teased, of course, and childish-looking clothing. Clothes were worn tight fitting, sometimes even purchased from a children’s section. Dresses were often embellished with lace, ribbons, and other frills; the look was topped off with light colored tights. Crocheted clothing also took off within this specific style. 
Sam Linder and Kirk Millar, who own the boutique Linder in SoHo, ventured into women’s wear in February. It seemed like a natural progression for a brand known for its experimental men’s wear. July 13, 1 p.m., 237 East 18th Street
“Portrait of Two Children” attributed to Joseph Badger. Oil on canvas. America, Mid-eighteenth century. The boy at the left is wearing a frock similar to that shown below. Abby Aldrich Rockefeller Folk Art Museum, 57.100.15.
Most of the Swiss fashion houses are in Zürich. The Swiss look is casual elegant and luxurious with a slight touch of quirkiness. Additionally, it has been greatly influenced by the dance club scene.
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This first lady requirement has as much to do with economics as it does with America’s cultural ego. In the 20th century, it wasn’t China that the U.S. fashion industry was up against. It was Historically, Europe—especially France—dominated manufacturing and design. But after World War II, with European economies in ruins and the French fashion industry co-opted by the Nazi occupation, the United States gained an advantage against its trans-Atlantic counterparts—just as China reaps the reward of our battered manufacturing sector today.
The fashion industry is seeing how 3D printing technology has influenced designers such as Iris Van Herpen and Kimberly Ovitz. These designers have been heavily experimenting and developing 3D printed couture pieces. As the technology grows, the 3D printers will become more accessible to designers and eventually consumers, which could potentially shape the fashion industry entirely.
The French designer André Courrèges was particularly influential in the development of space age fashion. The “space look” he introduced in the spring of 1964 included trouser suits, goggles, box-shaped dresses with high skirts, and go-go boots. Go-go boots eventually became a staple of go-go girl fashion in the sixties. The boots were defined by their fluorescent colors, shiny material, and sequins.
Evening dresses were the exception. They were spaghetti strapped or halter topped that revealed shoulders and chests but only mild cleavage. Skirts were long and full in the early ’40s and sleek by the end of the decade.
If you’re heading to a summer wedding, go breezy with a light and airy suit in a soft color, or slip on a pair of slacks and a nice dress shirt. Two-piece suits in a dark shade are practical and versatile at the office, allowing you to mix up your look with tops in different colors and styles. No men’s outfit is complete without the right accessories. Avoid unnecessary eyestrain and stay cool no matter how hot the weather gets with designer sunglasses from Ray-Ban or Oakley. Grab stylish belts, ties, and wallets to complete your look-du-jour before you head out the door.
While there is a market for this craziness, or else it wouldn’t exist, it is a niche one, largely comprising the cash-rich, time-rich wives of oligarchs and footballers, with the occasional Kardashian thrown in. “There are people who will splurge hundreds on frothy designer ‘pieces’ without batting an eyelid,” says Estelle Lee. “But most mothers are not idiots, no matter what their disposable incomes. That means spending as much as they can afford when the cost reflects sustainable manufacture, natural fabrics and good-quality cuts which will wear well and can be handed down. I’ve got two boys, so always try to buy ‘best’ quality. Ralph Lauren jackets – in the sale – will last years.”
Whoa, put some shades on because things are about to get high-octane in here. From primary shades through to neon accents, when designers committed to spring’s bold hues, they knew they had to go hard or go home. Expect to see vibrant pinks, reds, yellows and more worn in either monochrome blocks or artfully spliced together—apparently not to be toned down with a neutral or two.