“where can i get fashion inspiration”

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[i]GQ says:[/i] The Irish-German (and Hackney-based) Fassbender is rapidly becoming one of the finest actors of his generations. We look forward to the return of his android, David, in this year’s Alien: Covenant.
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“Children in a Classroom.” Sepia aquatint with stipple. Drawn by T. Stohard, engraved by C. Knight, England, ca.1790. The children wear the clothing of the late eighteenth century – frock dresses for the girls and trouser suits for the boys. The engraver suggests society’s evolving attitude toward children by their lively postures and more comfortable clothing. Anonymous gift.G1971-3139.
The boys’ dress was modeled to resemble their fathers attire. They would wear shirts and a fitted jacked (a doublet). They also wore close fitting hoses (similar to tights), which were tied by lace, and breeches over all layers. 
The middle of the market is hollowing out, however. ”Similarly to adult clothing, the market is experiencing a level of polarisation that favours both value and designer, leaving mid-tier players — in particular, childrenswear specialists — struggling to regain lost market share,” says Kissane. At the high-street level, children’s clothing has begun to imitate adult clothing, as parents’ desire for their children to be “on-trend” has increased and their consumption habits have shifted towards more frequent purchases.
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The creations of designers who cater to First Ladies, such as Valentino, Oscar de la Renta, and newcomers like Derek Lam, tend to be nostalgic and never-challengingly hip. It is a clean, monarchic glamor. The brands have a tenure granted by the designer’s perennial alliances with actual monarchies and the otherwise untouchably rich. In iconography alone, such brands are pure currency: Jackie O. both mourned JFK and married Onassis in Valentino.
We all remember Carrie Bradshaw’s claim that “no woman who works at W Magazine and lives on Perry Street would be caught dead at a hip downtown restaurant wearing a scrunchie.” Demna Gvasalia seems to disagree. For resort, Balenciaga featured some of the best and most ridiculous accessories – including bright color leather scrunchies. For Mansur Gavriel’s first runway show, they styled their model’s in a more subdued version of this ’90s hair accessory. If 2017 was the year of the grosgrain hair ribbon, we predict that 2018 will be the year of the scrunchie.
Pantone announced 2018’s Color of the Year to be Ultra Violet, “an enchanting purple shade that offers designers versatility of expression,” per its press release. The shade represents “our shared desire for deeper understanding in an increasingly complex landscape, and our eagerness to experiment to reach that level”—and it’s one that’s already had a presence on the Spring 2018 runways, at shows like Rochas and Zadig and Voltaire. Except to see the saturated purple hue everywhere in 2018.
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And not just because fashion has its own history with sexual harassment and the poor treatment of young women, including increasingly documented abuses of models and the many claims against the photographer Terry Richardson (who, after some time away, is still working in the industry).
Ms. Riley said, “Children have big tummies and stand in funny ways.” Although she has made one or two concessions to popular tastes, like making her ballet flats in nail-varnish colors, she remains fixed in her view that children should be children and not little brand ambassadors or, in the current parlance, “prostitots.” She said: “I can’t bear advertising on children. And why would a child need to have anything remotely sexy? To me, it’s unethical.”
“Women who once bought strapless dresses with a little skirt are now buying evening gowns with sleeves and high necks,” said Claire Distenfeld, the owner of Fivestory, the destination boutique on the Upper East Side of Manhattan. “Four seasons ago we couldn’t sell a blouse, and now everyone wants a blouse. Young women who used to come in and buy Balmain’s nonexistent dresses are leaving with knee-length skirts with a sweater or blouse by Emilia Wickstead.”
Leisure wear and sports wear are two very prominent design styles in children’s clothing. Girls clothing are available in a wide range and styles.[1] Children’s clothing is also sometimes worn by adult midgets, dwarves or short people.[3]
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The changes in a child’s dress represented a slow adoption of more adult styles and the child’s gradual maturation.  In the late 19th and very early 20th centuries, all infants wore long white dresses until they were able to walk and shorter dresses until they were about two or three.  After that, both boys and girls often wore skirted suits like the one in Morris’ photo of his son with subtle changes in trim and fastening differentiating between boys and girls.  This image on the right from the July-December, 1889 issue of Godey’s Ladies Book shows examples of clothing for children.  The two designs in the center of the page (Figures 14-17) were intended for children of about two years, the outfit on the left for “every-day wear” and the outfit on the right featuring an insertion of Yak lace.  The text does not specify a gender for the frocks, presumably since both boys and girls would have been wearing them.
A new wave of British leading men means there’s more tux talent on red carpets right now than ever before – and even in such a sartorial shark tank, Tom Hiddleston out-dresses them all. Unlike many of his contemporaries, Hiddleston doesn’t grasp for our collective attention by going for garish colours or cornea-assaulting patterns, but instead through his meticulous attention to detail. His go-to navy or charcoal tailoring and midnight blue, peak-lapel dinner suits might mean that he’s one of the more conservatively dressed of the current crop of A-List film stars, but he will always find a way to inject personality subtly through a cool geometric tie or detail like a tab-collar shirt. And it’s not just about the colour of the suits he pulls out of his wardrobe before his press rounds, it’s also about the suits – this is a man who clearly takes the time to get his tailoring actually tailored before he wears it for the first time, meaning he rarely suffers from trouser legs pooling around his ankles (a plague that many young actors in an age of one-night-only PR samples). At a time when most men in the pop culture public eye choose outfits that shout loud, his style proves that wearing outfits that whisper can still mean you’re the most eye-catching dresser in the room. Nick Carvell, Associate Style Editor, GQ
The end of the naked look. The beginning of a new age of female “pluri-empowerment” (as Iza Dezon, a trend forecaster, told CNN), as expressed through the kind of dress that prioritizes the individual and her needs over the clichés of female role play. Arguably it began, as these things do, at least two years ago — The New York Times began chronicling young women on the streets of Brooklyn layering clothes in creative ways that shielded or swaddled their bodies back in 2015. But it is only now reaching critical mass, thanks to a convergence of social, political and cultural factors as reflected in clothing.
Thirty percent of the clothing that comes into Trans-Americas is T-shirts and polos that will be cut into wiping rags for auto shops and other industrial uses. Another 20 percent of the clothing—the ripped and stained items—will be shipped out to processors that will chop it up into “shoddy,” to be used in building insulation or carpet padding or floor mats for the auto industry. These are the least profitable types of clothing recycling for Trans-Americas.
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Picture yourself with a trash bag of old clothes you’ve just cleaned out of your closet. You think you could get some money out of them, so you take them to a consignment or thrift store, or sell them via one of the new online equivalents, like ThredUp. But they’ll probably reject most of your old clothes, even the ones you paid dearly for, because of small flaws or no longer being in season. With fast fashion speeding up trends and shortening seasons, your clothing is quite likely dated if it’s more than a year old. Many secondhand stores will reject items from fast-fashion chains like Forever 21, H&M, Zara and Topshop. The inexpensive clothing is poor quality, with low resale value, and there’s just too much of it.
Did Banana Republic think women wouldn’t notice that some of its dress pants cost $98, but are unlined and made of synthetic fabric? Did Anthropologie think shoppers would blindly plunk down $88 for a shapeless T-shirt dress made of spandex and jersey? Women will gladly pay up for items they think are worth the price: One need only look at the strength of prestige beauty-product sales, such as contouring makeup and CC creams, which were up 7 percent in 2015, for evidence of this. But women want price tags that they believe are commensurate with quality, and these apparel retailers are not consistently delivering on that.
More recently gender-specific children’s clothing has become a contentious issue. According to some feminist thinkers, children’s clothing has become increasingly segregated, with young girls especially being expected to wear pink. Peggy Orenstein writes in her book, Cinderella Ate My Daughter, that pink-coloured and princess-themed clothes are almost ubiquitous for young girls in shops in America. She sees this as problematic because it limits girls to not only one colour, but also to one spectrum of experience, and it “firmly fuses girls’ identity to appearance.”[5] According to Historian Jo B. Paoletti, pink and blue only became associated with girls and boys respectively from the 1940s onwards.[6][7]
Description For girls in 1950 skirt and jacket suits were popular and reflected styles that were also prominent in women’s fashion like pleated skirts, bolero jackets and scalloped edges. Cotton overalls for younger girls’ playwear were also popular and featured a variety of bib styles. For teenage girls dresses featuring plaids, fun stripes, and various novel features were the favorites.

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One Reply to ““where can i get fashion inspiration””

  1. Consumers all have different needs and demands that have to be suited. A person’s needs change frequently, which is why fashion trends even exist. An important factor to take into consideration when thinking of consumers’ needs is the key demographics of the customer. Gender, age, income, and even profession can help a company better understand the needs of their customers.[43]
    Adidas’s Stan Smith has reigned supreme as the coolest sneaker for upward of two years, but that trend was upended in 2017 with the rise of ugly-pretty kicks. Balenciaga’s weighty Triple S sneakers led the pack, followed by Prada’s neon scuba shoe, Loewe’s elfin suede sneakers, and Yeezy’s Wave Runners. Then again, the pendulum might swing back to Stans soon—Vetements has plans to release a Stan Smith–inspired shoe this winter.
    Modern Westerners have a wide number of choices available in the selection of their clothes. What a person chooses to wear can reflect his or her personality or interests. When people who have high cultural status start to wear new or different clothes, a fashion trend may start. People who like or respect these people become influenced by their personal style and begin wearing similarly styled clothes. Fashions may vary considerably within a society according to age, social class, generation, occupation, and geography and may also vary over time. If an older person dresses according to the fashion young people use, he or she may look ridiculous in the eyes of both young and older people. The terms fashionista and fashion victim refer to someone who slavishly follows current fashions.
    “Most American fashion is based on older women trying to look like babies,” he told a writer for The New Yorker, taking a swipe at Claire McCardell and others who designed adult play clothes. “We’ve reversed the process.” But Mr. James did not mean miniatures. What astonishes about his designs (you can see them online) is just how thoroughly childlike, in shape and detail, they were. The Jamesian magic was in the execution.

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