“no ke aha e hana ai i nā mea nūpepa’eneke”

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Ua hana ʻo ia i nā hana e laupaʻi nui ai nā kanaka ma luna o ka ʻāina ma muli o kona nānā ʻana i ke kanaka nui a me ke kanaka iki, ke kanaka ulakolako a me ke kanaka hemahema a nele o ka noho ʻana.  Ua hoʻomāhuahua aku ʻo ia i nā ʻāina o nā aliʻi ʻeleu a mikiʻala ma ka hana, a ʻo nā aliʻi palaualelo a makemake ʻole i ka hana, ua paʻi akula ʻo ia i kekahi mau lihi pepeiao o ko lākou mau ʻāina, a hāʻawi aʻela no nā makaʻainana nele ʻāina, a makemake hoʻi e hoʻoulu i nā mea e waiwai ai ka ʻāina, e ola ai ka noho ʻana o ke kāne a me ka wahine a me kā lāua mau keiki.  No laila ua ulu nui ka lāhui kānaka a nui nō hoʻi ke kūʻonoʻono ma luna o ka ʻāina mai ʻō a ʻō.  Ua maluhia nō hoʻi ka ʻāina ʻoiai ua lako nā mea a pau e pono ai ka noho ʻana.   Ua nui ke aloha o nā aliʻi a me nā makaʻainana i ko lākou Mōʻī a ma kona wā i make ai, ua hoʻomana maoli ʻia ma ke ʻano i Akua.
A dusting of furikaki was nice, the katsu sauce was house made, thick, rich, and they gave extra. The chicken was lightly breaded, but some of the most perfectly tender and juicy pieces of chicken I’ve ever had. Kudos to that. Aside from the outter battering I barely had to chew this.
“‘A’ohe ‘ōlelo ana no ku’u kaikamahine akā no ku’u mo’opuna, eia lā penei a penei, e like me nā mea i hō’ike ‘ia ma mua a’e, he kahi ho’i ia ea, ua ho’i maila ‘oe, a lohe ihola nāu ho’i ia e ha’i aku i ko wahine.” Eia nō ka ‘ōlelo a ua ‘e’epa nei, “‘A’ole paha na kāua e nānā i ka hewa o kāna, nāna nō e ‘ike, o ‘ī ‘ia mai auane’i kāua i ka hō’upu’upu wale aku nō ‘oe auane’i ē, mai loko aku o’u e kuleana ai kāua, waiho nō na kona makuahine nō e ‘ike i kona hewa, ua hānai ihola nō kāua a nui, ma laila ihola nō kāua pau.
I panina, he mau hoʻolaha hoʻomaopopo kā mākou i lohe ai a ua loaʻa kekahi mau makana mai ka ʻAha ʻAmelika-Iāpana i mākaukau aʻe mākou.  Pīhoihoi maoli!  ʻO ka hui hou ʻana o mākou, ʻo ia hoʻi ka hui ʻana i ke kakahiaka [kohu kakahiaka nui no mākou, nā haumāna kulanui] o ka Poʻaono e eʻe ai ma luna o ka mokulele.
ʻO kāu mau kikoena pūnaewele kahi mea nui loa i kaʻuʻoihana ma keʻano he mea kākau puke ma ka pūnaewele. I ka hoʻomakaʻana o kaʻu hanaʻana ma ke kelepona e like me ka mea hoʻokipa, e hana wale ana wau e pili ana i $ 100 ma ka mahina a ma kēia manawa ke hana nei wau i kahiʻoi aku ma mua o $ 1,000 i ka māhina mahina! I kēia manawa, ke hoʻolālā nei wau e hoʻolilo i kēiaʻoihana kūʻokoʻa a lilo ia i mea e holo ai iaʻu ma mua o $ 5,000 ma ka mahina!
RATED  Food was awesome one of the best burgers I’ve had. Next time the family and I are on island we will mos def stop by again. We loved the decor and hole atmosphere of the place was right up my wife’s and I ally.
Ka Hoʻolauna – Haumāna will introduce themselves using their hoʻolauna speech previously practiced in fourth grade.  This will include stating their full names, where they are from, where they live, who their parents are, where they go to school, which grade level they are in, and the name of their present classroom teacher.
Ch.6 p.33 para.3 sent.2 A nānā akula, ʻaʻole he mau waʻa holo mai, no laila, nīnau akula ka poʻe me ia, “ʻAuhea hoʻi nā waʻa āu i ʻōlelo mai nei he mau waʻa aliʻi?” but could see no canoe coming. Then the people with him asked, “Where is the canoe which you said was a chief’s canoe coming? ”
In the replica watches uk formal social occasions, rolex replica watches are often treated as jewelry, usually only for a ring jewelry to wear men, is very popular. In general, are round, oval, square, rectangular and diamond replica rolex watches, because of its solemn shape, conservative, wide range of applications, especially suitable for replica watches formal occasions to wear.
The challenge is heightened when one considers the tragic period of the population death spiral when Hawaiians, absent immunity from western diseases, died by the hundreds of thousands. Within a very short period of time the population decreased by more than 80%.  Because so much of our history was based on oral tradition there was a dramatic loss of Hawaiian knowledge and history that died with the people.
In 1990, at the age of 19, he met Kumu Sonny Ching who was teaching at Pāki Park in Honolulu and joined Hālau Nā Mamo O Puʻuanahulu. His sisters, Kumu Lāhela and Kauʻi, would soon follow to become members. Coincidentally and unbeknownst to him, there was already a pilina between the two families that began with his mother and Kumu Sonny’s grand aunt Beatrice Nāhulu Lopes that maintained for 70 years until their passing. Additionally, his mother and aunts had danced for Kumu Sonny’s grandmother, Kumu Hula Lena Puaʻainahau Eleakala Nāhulu Guerrero in the 30s, 40s, and 50s. In September of 1993 he, along with three others, became Alakaʻi of HNMOP. It was at that time that he unknowingly embarked on his path toward becoming a Kumu Hula. He began developing his teaching skills with the keiki, the kāne, and later, the wāhine of the hālau. From 2000 to 2001, he groomed his vocal gift by studying oli with Kumu Hula Kealiʻi Reichel. It was in 2005 that he began to consciously purse his destiny as a Kumu Hula through an intense 6-year training for a Papa ʻŪniki. To aid his training, Kumu Sonny
Iʻelua pule i hala aku nei ua noi mai koʻu hoaaloha iaʻu e nānā i kēia pūnaewele. Ma hope o 3 mau lā ma hope o ke komoʻana i ka pūnaewele ua loaʻa iaʻu kahiʻoihana! I kēia manawa, ke kau nei au i ka papahana pūnaewele kaulana a no ka loaʻaʻana o nā kālā e uku ai no koʻu hale iho! Paipai wau i nā mea a pau e ho’āʻo i kēia,ʻo ia ka maikaʻi! ʻO ke kākoʻo a me ka lawelaweʻoihana ke poʻo o ka laina.
3 / 4in Pneumatic. ka hopena o ke ea e hoʻoikaika ana i ka hana a me ka loiloi i loko o kahi’ōwili. Hoʻohālike i ka hāmele hamani a paʻa i ka mana a me ka lōʻihi. He kūpono no ka hanaʻana i ka wai puna, ka’alala pinia a me ka weheʻana i ka hoʻokele kaʻahana, ka hana pahū kaʻa a me nā loea pūnaewele nui. Inlet Size (i.): 3 / 8, ka hopena Per minuke (IPM): 850, Hoʻoulu ikehu (ft.-lb.): 100-950, Min. Hose Size (i.): 3 / 8, Speed ​​- No ke kiʻi (rpm): (. I): 6,300, Average Air hokii (CFM) 7.5, i nā mea hana Length: 8 13 / 16, Max. Ikehu (ft.-paona.): (. Paona) 1,200, i nā mea hana Weight: 11.6, Reversible: Ae, CFM ma ke kiʻi: 30, Max. E hoole ikehu (ft.-paona.): 1,200, Drive (i.): 3 / 4, ee iaaanu aey Speed: Ae, Hammerʻano papa hana: Twin
Most of the posts to follow will be case studies in these topics, while others may be investigations into the historical development of an idea or practice. Some will no doubt be discussions of rather abstract theoretical issues, though these will develop from concrete questions. A few may be annotated reference lists, but I hope that every post will be interesting and enjoyable in its own way.
ʻO ka helu ʻana i ka pō mahina he mea e helu ʻia mai ka napoʻo ʻana o ka lā, ʻo ia hoʻi, hoʻomaka ʻia ka mea a Malo i ʻōlelo ai he “lā,” he wā o ka lōʻihi o ka manawa he 24 hola, mai ke ahiahi, ʻaʻole ma ke kuluaumoe ma ke ʻano o ka Haole. (ʻaʻole i pau)
The rationale for the abaya is often attributed to the Quranic quote, “O Prophet, tell your wives and daughters, and the believing women, to cover themselves with a loose garment. They will thus be recognised and no harm will come to them” Qur’an 33:59[2] (Translated by Ahmed Ali) This quote is often given as the argument for wearing the abaya.
Mamuli o ka pane ho’omāhie a kēia u’i, ua kū ihola ua keiki nei ma waho mai o ka pā, me ka hilina’i ‘ana mai a ‘ōlelo maila: “Inā ho’i hā pēlā, he ho’i no ka lā’au lapa’au, he aha auane’i ho’i ka waiwai o ka hele ‘ana, ua loa’a ihola nō ke o’io’ina ‘o ‘oe!”
Ka Lei Ha’ aheo: Beginning Hawaiian is a culturally oriented Hawaiian language textbook. Its grammar lessons include the relationship between the language and the Hawaiian world view. The book’s dialogs are drawn from contemporary Hawaiian family life. Extensive classroom testing was used in developing Ka Lei Ha’ aheo. Although it was designed for college use, it is also a handy resource for high schools and individuals, particularly because its companion volume, Ka Lei Ha’ aheo: Teacher Guide and Answer Key provides English translations and answers to the exercises. The text’s lively appeal is further enhanced with line drawings.
Ēwe i ka honua, kupu i ke ao! Unleash your ‘ōiwi genius into the world this summer! ʻŌiwi STEAM learning will empower K-12 haumāna to address 21st century challenges in a culturally-grounded, resilient, adaptive way, bridging modern and traditional viewpoints and practices.
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Ch.17 p.87 para.6 sent.2 I nānā aku ka hana o ke aliʻi i kāna ʻīlio, ua pau nā pepeiao a me ka huelo i ka moʻo, a no kēia mea, manaʻo aʻela ʻo ʻAiwohikupua e hoʻi, no ka mea, ua pio lākou. when the chief looked him over, gone were the ears and tail inside the lizard. So Aiwohikupua resolved to depart, since they were vanquished.
The store also hosts a large selection of accessories ranging from hats, belts and cuffed bracelets that will finish off any modern look. With prices ranging from affordable to high end, it’s an accessible boutique to go to that covers a wide range of unique and interesting styles.
Eia no na malama o ke Kau, o Ikiiki, ua like ia me Mei, oia ka malama a moe ai ka huhui hoku, o Kaaona, ua like ia me Iune, oia ka malama e kalai ai i ke kuku aei opelu i ka wa kahiko, o Hinaiaeleele, ua like ia me Iulai, oia no ka malama e pala mai ka ohia ai, o ka Mahoemua, ua like ia me Augate, oia no ka malama e pala nui ai ka ohia ai, o ka Mahoehope, ua like ia me Sepatemaba, oia no ka malama e owili ai ka puako, o Ikuwa, ua like ia me Okatoba, ma laila e pau ai ko ke Kau ma malama eono.
Several students, over the past four years, have gone beyond the classroom when it comes to perpetuating the language of our kūpuna. These individuals have not let their native language hamper them, but rather have used it as a stepping-stone in learning other languages. These classmates have simultaneously taken two language classes, Hawaiian and either Japanese, Spanish, or French. In the same sense, there are many students who have excelled academically through the years while continuing to study the Hawaiian Language. One-third of the students in my Hawaiian 5 class will be graduating tonight with Honors diplomas. Our culture does not have to be a roadblock to accomplishing great things, as some people may think. Kamehameha is headed in a positive direction. The “best” of both worlds — excellent scholarship and understanding of nā mea Hawai‘i — can be achieved, but only if we dedicate the time, effort, and belief in making it happen.
“Aia a hora ‘umi, hele mai ‘oe a ma ka pukaaniani ma ka ‘ao’ao ma ‘Ewa o ka hale, ‘o ko’u rumi ia, komo mai ‘oe ma laila, no laila e ho’i ‘āwīwī aku ‘oe, i ‘ole e ‘ike ‘ia mai, a ua lohe akula ‘oe i ke kauoha, e ho’omana’o mai ho’i ‘oe ia leo.”
Written in a format similar to an encyclopedia to allow easy lookup, the authors paints though spiritual, emotional and practical examples of ancient Hawaiian life. We follow a Hawaiian ‘Ohana from conception to birth of the child to the child learning and growing up in society; relationships (sexual or otherwise) between man and woman; healing and spirituality; dreams and symbols; the many faces of aggressions; shame and guilt; ESP and prophecies; and lastly, the Hawaiian Self Image.
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We plan our day trips from Kona to the Volcanoes National Park around our lunch stop at Hana Hou. Seriously, see that photo up there? That’s my plate every visit. It is a papaya stuffed with chicken salad made with macadamia nuts. My husband usually…More
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Do this for your business, and you will get in arm’s reach of Pono, the value of rightness and balance. Not only does Nānā i ke kumu encompass source and explain culture: It describes your full capacity moving forward.
The Women’s March On Washington is a perfect example of how a large movement can originate from somewhere small, in this case, our own island of Maui. Hana grandmother Teresa Shook first created the event on Facebook following the election. Unhappy with the results, she invited 40 of her friends to march in Washington D.C. to express their frustration. When Shook awoke in the morning, her Facebook event had 10,000 additional names of people interested in participating in the march. Shook never imagined those 10,000 names would turn into an estimated 500,000 people marching in Washington D.C. and over 600 marches around the world.
Ka Mahiole Ali’i in sterling silver from the Sonny Ching Collection, replicates this symbol of rank and sacredness of our ancient chiefs. Today it serves as a reminder for us to behave with the goodness, fairness, and responsibility to our people, like the beloved Ali’i of our pa…st . . .
ʻO ia ke kākoʻo kiʻekiʻe nui o ka hana mana kiʻekiʻe 3 / 4-Inch. Hoʻokumuʻia ka mana ma 1200 ft./lbs akā hāʻawi mau i nā meaʻoi aʻe ma mua o ka mea hoʻokūkū. ʻO Twin Hammer Clutch no ka lōʻihi loa. 6 Vane Motor no ka piʻi a me ka ikaika. E hoʻokuʻu i ka’ōpala, ke kikowaena ergonomic. Hoʻopuka ka mana o ka mana 3 a me ka mana alakaʻi i hoʻokahi leve no nā mana a pau iʻekolu mau kūlana i mua a me ka mana piha. Hoʻopiʻia e hoʻoholo i nā hoʻonohonohoʻoi loa,ʻo ia ka meaʻoihana koho no ka puna wai nui, mālama pono, a me nā mea ukana kaumaha. Kapeka hāʻahi: 3 / 4-Inch, Kelewa Haʻawina Hana: 100-950 me-lbs., Maximum Torque @ 90psi hoʻololi: 1200 me-lbs., Free Nānā: 6300 RPM, Length: 8.8-Inch, Kaumaha Hua’ōlelo: 11.57 lbs , Avg. Ka hoʻohanaʻana o ka ea: 7.5 CFM, pae mīkini hau: 3 / 8-Inch, Min. Kākuhi Hose: 3 / 8-Inch, Papa Level Sound (A): 96, Hoʻolaho Kūmole m / s²: 9. Makemakeʻoe i ka mana o kēia mea hana!

“pehea e hoʻolālā ai i ka wānana”

ʻO Kūaliʻi ka inoa o ka hale nui a lākou i kūkulu ai i kapa ʻia no kekahi aliʻi nui o Oʻahu. I ko lākou kūkulu ʻana i ka hale, mālama ka ʻohana i ka heiau; huki ʻia ka nāhelehele a me nā lāʻau haole e ulu ana i loko; ua paepae hou ʻia nā pōhaku e kekahi loea me ka maiau a me ka maʻemaʻe, a ua kanu ʻia nā mea ulu Hawaiʻi a puni ka heiau.
“‘A’ohe ‘ōlelo ana no ku’u kaikamahine akā no ku’u mo’opuna, eia lā penei a penei, e like me nā mea i hō’ike ‘ia ma mua a’e, he kahi ho’i ia ea, ua ho’i maila ‘oe, a lohe ihola nāu ho’i ia e ha’i aku i ko wahine.” Eia nō ka ‘ōlelo a ua ‘e’epa nei, “‘A’ole paha na kāua e nānā i ka hewa o kāna, nāna nō e ‘ike, o ‘ī ‘ia mai auane’i kāua i ka hō’upu’upu wale aku nō ‘oe auane’i ē, mai loko aku o’u e kuleana ai kāua, waiho nō na kona makuahine nō e ‘ike i kona hewa, ua hānai ihola nō kāua a nui, ma laila ihola nō kāua pau.
Eha mau malama i pule ole ai, no ka oihana o ka makahiki, he mau pule no nae e pili ana i ka oihana o ka makahiki, ma ka malama o Mahoehope e pau ai ka haipule ana, a na mea a pau, a koe o ka kahu akua wale no ke haipule mau.
This collection of “Urban Hawaiian” shirts was created in response to conversations with technology, asking software and algorithms to answer questions of personal identity.  Screenshots of these search results were collected and printed on bleached aloha shirts, recreating each garment with an up-to-date version of Hawaiian identity according to different internet sources.  Printing the designs with a historic photographic process called cyanotype, each piece is a blend of old and new image-capturing techniques, referencing the continued role of photography in the construction and advertisement of personal and cultural identity.
I ka ʻauinalā nei, ua hālāwai mākou no ka wā hope loa ma mua o ko mākou haʻalele ʻana no Iāpana a ua nui ʻino nō nā mea e nānā ai!  Ua hoʻomaka ka hālāwai ma ka hui kelekiʻi ʻana me Maya, kekahi o nā lālā ʻoluʻolu palena ʻole o ka ʻAha ʻAmelika-Iāpana no Wakinekona D.C.  Wehewehe maila ʻo ia no ia mea ʻo ka ʻAha ʻAmelika-Iāpana a ma kā lākou hana, pēlā nō no ka pili o ka papahana Tomodachi Scholars me kā lākou mau hana ʻē aʻe.  Ua hiki nō iā mākou ke haʻi iā ia i ko mākou mau manaʻo no ka huakaʻi, nā mea e ʻike ʻia ana nō paha a me nā mea e hana ʻia ana nō paha kekahi.
Ua huli ʻia ma ka lā 31 o ʻOkakopa, ka lā i koho ʻia ka ʻike maka ʻia ʻana nō o ka mahina puāhilo ma Hawaiʻi, a ua ʻike maka ʻia. Ma muli o ka ʻike maka ʻia ʻana, e koho ʻia ʻo Hilo nō ia pō. (Akā ua ʻike ʻia paha ma ka ʻohe nānā ma ka lā 30 o ʻOkakopa)
Bio: Keoua Nelson grew up in Napoʻopoʻo, South Kona on the hores of Kealakekua Bay and comes from a long line of lauhala weavers from Kona; both of his great-grandmothers, Lucy Keliʻihelewalemahuna (Kaʻalekahi) Grace and Gracey Kaleihulumamo (Grace) Gaspar, learned their skills from their mothers. While the women in the famiyl were relegated to weaving the lauhala products, it was the men in the family who were tasked with caring, cleaning and preparing leaves from the pū hala.
The restaurant offers a homely atmosphere filled with country charm and a cheery staff that provides quality service with great food. We serve delicious hot meals, sandwiches on-the-go and our “Oh so yummy!!” bakery selection, which has proven to be a divine treat for anyone wanting to satisfy their craving for yummy goodness. We also offer healthier meals for those of you who prefer to have a light, yet filling fix.
Nīnau aku, nīnau mai: E hoʻāʻo ʻoukou.  E hoʻomaʻamaʻa i kāu mau hopunaʻōlelo a haku i nā nīnau.  E haku i ʻekolu mau nīnau.  (He aha . . ., Na wai . . . , Aia i hea . . ., ʻO wai . . ., He aha . . . )  E kōkua mai i ka haku ʻana i nā nīnau. 
Because makaʻāinana worked intimately with the land and the ocean to produce food, clothing, transportation, supplies, and other necessities, they were stewards of the land. Makaʻāinana performed the majority of the critical day-to-day tasks of their community.
Our pedagogy, our programs, reflect our vision statement, “He waʻa he moku, he moku he waʻa” (our canoe is our island, our island is our canoe). Our curriclum is holistic and focuses on the relationship of all elements from our most fertile upland slopes to the deepest parts of our ocean. Through this pedagogy, programs are also able to focus on the individual’s development and contribution to their own communities.  As kumu (teacher) and crew, our job is to recognize the strengths of each haumāna (students) in order to help them develop those strengths both as an individual and as part of the collective whole, the community.
“My grandmother arrived on Santa Cruz in a tepuke,” said Wendy Laia. “If I were invited, I would like to sail to honor her memory.” Other people also hoped to learn how to sail these vessels, not only to help revive their ancestral culture, but also because canoes like the tepuke may offer them sustainable alternatives to infrequent and unreliable ship transport.
H folks today Monday we are featuring THE CUBAN sandwich . It has become a popular item all around. Also sharing the lime light is our great French Dip. Who knows what else Mona will be cooking up HUNGRY??? come on and have a bite with us
I kekahi lā, ua loa’a maila he leka mai Hawai’i mai na ke kaikua’ana o kēia kanaka, e kauoha mai ana iā ia a me ka māmā o lāua e holo aku, e ho’oponopono i ka waiwai, no ka mea he ma’i kona, ua ‘ōlelo ke kahuna ‘a’ole ‘o ia e ola.
Whether you’re looking for a specific item, or totally reinventing your wardrobe, you’ll find handsome and tasteful men’s clothing in this inspired collection from Banana Republic. Browse stylish options for a variety of occasions, from work in a fast paced office, to date night with that special someone, to enjoying a barbecue in the backyard with your family and friends. Versatile men’s fashion is easy to dress up and down. Look great from your morning commute to the late night after-party with these adaptable designs. Feel confident and look incredible. With the right clothes for men, the world is your oyster.
Congratulations to one of our favorite partners, Bill Tobin of Tiki’s Grill and Bar, for his induction to the Hawaii Restaurant Assoc. Hall of Fame. Bill’s generosity and work in the community make us proud to call him a friend. #pauhanawithhanahou #annualclientappreciationparty #tikisgrillandbar
At Hana Hou Restaurant, you will enjoy a favorable dining experience. From the peaceful surrounding of hills filled with greenery overlooking the town, to the warm, friendly, accommodating restaurant staff and residents.
Nature is where it all begins for most islanders, and the Hawaiian people are no different. We call ourselves keiki o ka ‘āina, children of the land, understanding that our roots are within the land, and we grow shaped by our environment. In Hawai‘i the ‘āina is not just soil and sand, lava rock and dirt; the ‘āina is a statement of heart and soul for us. The very word brings forth deep emotion: Aloha ‘āina are our words for love of the land, for it is with Aloha we share the breath of life, understanding ‘āina gives us life and provides sustenance. In this way, humanity and nature are considered father and mother, soul, and spirit.
Lashio became important during the Sino-Japanese War resp. World War II as the Burmese terminus of the Burma Road 1938-45. In World War II, Lashio was taken by the Japanese April 29, 1942 and liberated by the Allies March 7, 1945.[4]
‘O ‘Ōhi’a ka lua o nā hua’ōlelo i koho ‘ia no ua po’oinoa lā. ‘Eā, he nui kona mau mana’o. Ma kēia kolamu na’e e hō’ike ai i kekahi mana’o e pili ana i ke kumu ‘ōhi’a lehua. He kumu lā’au ia nona ka lā’au pa’a a nona pū ka pua ‘ula’ula ‘o ka Lehua. I ke au i kūnewa aku nei, ua kapa ‘ia ke koa ikaika a mākaha he Lehua ma muli o ka like o kona kūpa’a me ko ka ‘ōhi’a lehua. Ma kēia kolamu, ‘o ka Haku ‘Ōhi’a ke kanaka nona ka na’au ikaika kūpa’a e like me ko kākou mau koa Hawai’i.
#sccollectionbyparadisus #sonnychingcollection #sonnyching #paradisusjewelry #theoriginal #silverjewelry #silver #jewelry #moolelo #hawaiianjewelry #hawaii #womensfashion #style #hina #hoaka #fromaculture #hoololi #culturallyinspired #elegance #hinaschair #timeless #art
Although this story is not as satisfying in content or resolution as is Kīlau Pali’s previously published “Ke Mele a me ke Kaona o ia Mele i Haku ‘Ia” (Kuokoa, October 9, 1922; Kaleinaman: E Kū i ka Hoe Uli, v.3, Summer 2004), it is still of considerable interest to students of “‘ōlelo ‘ano lua” and the hoʻāeae: the story frequently employs language of the highest and most poetic sort; it gives the ho’āeae chant-form a specific social and historical context; it offers a glimpse into the manner in which the skills of a 19th century master chanter were engaged; and it encourages a redefinition of the ho’āeae as a distinct genre of poetry – and not simply as a set of vocal qualities with which an oli is delivered.
We love this restaurant, we went to eat there two years ago when we were on vacation and just had to go again on this vacation. The food is yummy and the service is friendly. If you like good desserts… you have to try some from Hana Hou because they are so tasty. See More
#sonnychingcollection #sonnyching #sccollection #paradisusjewelry #ku #sonnychingbling #hnmop #kumanifestation #kakau #fromaculture #ohekapla #jewelrydesigner #kumu #culturallyinspired #theoriginal #hawaiian #hawaiianjewelry #silver #sterlingsilver #jewelry #aotd
Volume One interprets specific Hawaiian customs, concepts, and terms “to clarify distorted beliefs, suggest the rationale behind Hawaiian ritual, and convey some of the poetic imagery of ancient rites and their underlying concepts.”
I ka uhi ‘ana mai o ka noe a waka (pō’ele’ele), a nalowale kai o Kea’au, huli maila ‘o Kaahai e ho’i no Kahehuna, ka pahuhopu, ‘oiai ho’i ‘o Helena e hī’ō ana i loko, waho me ke ake nui e hui koke me Ioane.
60 -year kahiko kane me ka prostate Ka maʻi ‘aʻai, Gleason nāʻai 8 diagnosed ma February 2011. He loaa’ano’ē prostatectomy me ka hōmona Inc akā, ma hope oʻoki kino, a mahuahua nui hou ma ka PSA. He loaa pāhawewe Inc, 60 Hinahina i ka pelvic māhele ‘āina. Ma May 2012, a hoike aku la oia ia ia iho ma Saisei Mirai. He loaa 72 manawa 0.5 ml kiʻekiʻe-mahele lāʻau GcMAF (1500 ng / ml 0.5), kiʻekiʻe-mahele lāʻau IV wikamina C a me 60g 21 manawa o nā ‘āina hyperthermia ka hoʻohana’ ana Thermotron RF8.
Hō‘ea lākou i ke kahakai ‘o Waimea a lele nā keiki kāne i ke ka‘a. Holo nā keiki kāne i ka moana. Kāhea ‘o Pāpā, “E kali ‘oukou!” Huli hope nā keiki kāne. Ha‘i ‘o Pāpā iā lākou, “E kokua mai.” Ha‘i ‘o Pāpā iā Kawika, “E lawe ‘oe i ka ‘aina awakea.” Ha‘i ‘o Pāpā iā Micah, “E lawe ‘oe i nā kāwele.” Ha‘i ‘o Pāpā iā Makana, “E lawe ‘oe i nā papa he‘e nalu.” ‘Ōlelo ‘o Pāpā, “E lawe au i nā mea inu.”
People go to culinary school to become better chefs; they attend art school to become better artists; they enroll at law school to become better lawyers; we were students at a Hawaiian school to become better Hawaiians.
With its strong internationally oriented focus, I Play has taken sportswear into the future with new offerings that project a contemporary spirit. At the Cavaniglia Pavilion, the spotlight is on a crossover style that creatively links an urban lifestyle with outfits for high-performance sports.
“It’s amazing how much support we have in the community, I just want to thank everyone for coming out,” said WHW Executive Director Stacey Moniz. The nonprofit organization was established in 1977 in an effort to assist female victims of domestic violence; the West Maui Domestic Violence Task Force is the Lahaina branch of the organization.
Good morning…here’s a news flash …Hana Hou will NOT be open Thanksgiving day. We have decided to spend it with our families in the holiday tradition. I thought it was a fitting way to start our holidays as we will be working hard thru Jan 1st. We will be open all the other days like Xmas and New years day. We will close early on New Years Eve however . Grab a turkey and some good friends and get to cooking this way you can enjoy the leftovers. Friday the day after we will be having Hot turkey sandwiches with all the trimmings for those with no leftovers stashed away. Enjoy

“i ka manawa o ka hebedoma ma Paris”

Lashio (Burmese: လားရှိုးမြို့; MLCTS: la: hrui: mrui., IPA: [láʃó mjo̰]; Shan: လႃႈသဵဝ်ႈ) is the largest town in northern Shan State, Myanmar, about 200 kilometres (120 mi) north-east of Mandalay. It is situated on a low mountain spur overlooking the valley of the Yaw River.[1] Loi Leng, the highest mountain of the Shan Hills, is located 45 km (28 mi) to the south-east of Lashio.[2]
Bio: Keoua Nelson grew up in Napoʻopoʻo, South Kona on the hores of Kealakekua Bay and comes from a long line of lauhala weavers from Kona; both of his great-grandmothers, Lucy Keliʻihelewalemahuna (Kaʻalekahi) Grace and Gracey Kaleihulumamo (Grace) Gaspar, learned their skills from their mothers. While the women in the famiyl were relegated to weaving the lauhala products, it was the men in the family who were tasked with caring, cleaning and preparing leaves from the pū hala.
Ma ka moʻolelo a me ka mo‘okū‘auhau o Kahalaopuna, hiki ke ʻike ʻia, pili ka ‘āina a me ke kanaka Hawai‘i. A i kēia lā, ma muli o ko kākou haʻi hou ʻana i ka moʻolelo no nā kupa o Mānoa ma Mānoa nei, ua ola nā iwi iā kākou a aia ana nō ho‘i kākou i ka mo‘okū‘auhau o Kahalaopuna a me kona kulāiwi hanohano. Ola ka hā loa o ko Mānoa. Ola!
Ch.17 p.87 para.5 sent.2 A lohe akula lākou iā ʻUlili mā i kēia kaua a ka moʻo me ka ʻīlio, a he mea mau naʻe iā ʻAiwohikupua ma ka nānā iā uka. When they heard from Snipe and his companion of this battle between the lizard and the dog, Aiwohikupua looked toward the mountain.
Ch.25 p.133 para.4 sent.1 “He mea hiki ʻole iā mākou ke hele aku,” wahi a Lāʻieikawai, “he pono e nānā aku i kā nā kamaʻāina heʻe nalu ʻana.” The princess answered, “We can not go; it is better to watch the others.”
Kupuna Hanale Maka E hoʻolohe kākou i ka leo o kekahi mānaleo no Mānoa e wehewehe ana i ke ʻano o ka ʻāina i kona wā kamaliʻi.  E hoʻolele ʻia ka lola Ka Leo Hawaiʻi HV24.46A, 12:00-13:17 (1 min, 17 sec). 12:00-13:17—Nui ka Hawaiʻi? Nui nā poʻe Hawaiʻi. Ma mua ma Mānoa, nui ka poʻe Hawaiʻi, Hawaiʻi wale nō. Poʻe Kepanī kanu pua, poʻe kanu pua. Poʻe Pākē paha?…ʻo ka Pākē, Wong Lee(?) ʻo ia ka haku o ke kalo, loʻi kalo. Nui nā loʻi kalo mai uka mai a hiki i lalo o ke alanui ʻo University. ʻĀina kalo nui kēlā. I think, ʻoi aku kona nui ma mua o Waipiʻo. Nā ʻaoʻao ʻelua, loʻi kalo. ʻĀina ākea kēlā o Mānoa. Pololei. ʻAe, no ka mea, kēlā manawa, poʻe noho ma kēlā wahi, ʻaʻole lākou uku e like me kēia manawa. Emi loa ka ʻāina i kēlā manawa. Ka poʻe Pākē, kanu lākou i ke kalo. ʻO ka laiki, ma lalo nei i Mōʻiliʻili. Mānoa, ʻāina kalo wale nō.
Truly a great spot and all good reviews are warranted. We had the moco loco with shredded pork. It was amazing. There were two servers who never stopped but always had smiles on their faces. We al…so made room for the greatly lauded macadamia nut pie. Oh my! We will be back. Everything on the menu looked fabulously amazing See More
From my perspective, Dr. Said’s analysis of Orientalism provides a powerful admonition not only for students in the current system of Culture Studies and Gender Studies in the Western academe, but also for all the other social sciences which purport to represent the experience of another.  In a certain sense then, we are all vulnerable to Orientalism, whether in discourse about the psychopathology of a client, the cultural practices of the Saramaka, or the personhood of gendered identities.  Let us therefore commit to mindfulness and nānā pono as we proceed.
I panina, he mau hoʻolaha hoʻomaopopo kā mākou i lohe ai a ua loaʻa kekahi mau makana mai ka ʻAha ʻAmelika-Iāpana i mākaukau aʻe mākou.  Pīhoihoi maoli!  ʻO ka hui hou ʻana o mākou, ʻo ia hoʻi ka hui ʻana i ke kakahiaka [kohu kakahiaka nui no mākou, nā haumāna kulanui] o ka Poʻaono e eʻe ai ma luna o ka mokulele.
Key Concepts for the Fashion Industry is the first concise and accessible overview of fashion theories for students on any fashion course. Providing an easy understanding of the core concepts, from scarcity to conformity, this offers clear, practical examples and accessible case studies, making complex theory easy to digest.
Emphasizing the importance of cultural literacy, the Handbook begins with an overview of the origins of hula, its history in Hawai’i, and the primacy of the spiritual focus of the dance. The book goes on to introduce halau etiquette and practices, and explains the format of a traditional hula presentation, together with the genres of hula and the regalia worn by the dancers. Practical components include sections on Hawaiian language and chant and a glossary of hula commands and footwork.
When asked, “why do you want to become a Kumu Hula?” He replied, “this is what I am meant to be. I’m happiest when I dance, chant and sing. As a Kumu Hula, I get to represent our people, both past and present. It is humbling and such an honor. I also want to make a positive impression on the youth of today. I want to instill in them the importance of working hard and striving for goals through this art we call hula for the future of our people, culture and for future Kumu Hula. If we breathe our own breath into our dance, our haumāna, our hālau, we become unique as Poʻe Hula.”
Katsu chicken only comes with 1 scoop of rice, that’s 10000% un-hawaiian. It has to be 2 scoops, come on, really? Ok cool kimchi, that’s a nice touch. A little young, but still good. The mac salad was barely recognizable. Almost tasted like they used brown rice pasta, it was that bland. A gang of olives which have no business being in my salad. It was almost “healthy”. A sad excuse. Easily the worse mac salad I’ve had at any Hawaiian food truck/restaurant.
This lively, accessible book is the first to explore Victorian literature through scent and perfume, presenting an extensive range of well-known and unfamiliar texts in intriguing and imaginative new ways that make us re-think literature’s relation with the senses. Concentrating on aesthetic and decadent authors, Scents and Sensibility introduces a rich selection of poems, essays, and fiction, exploring these texts with reference to both the little-known cultural history of perfume use and the appreciation of natural fragrance in Victorian Britain. It shows how scent and perfume are used to convey not merely moods and atmospheres but the nuances of the aesthete or decadent’s carefully cultivated identity, personality, or sensibility. A key theme is the emergence of the olfactif, the cultivated individual with a refined sense of smell, influentially represented by the poet and critic Algernon Charles Swinburne, who is emulated by a host of canonical and less well-known aesthetic and decadent successors such as Walter Pater, Edmund Gosse, John Addington Symonds, Lafcadio Hearn, Michael Field, Oscar Wilde, Arthur Symons, Mark André Raffalovich, Theodore Wratislaw, and A. Mary F. Robinson. This book explores how scent and perfume pervade the work of these authors in many different ways, signifying such diverse things as style, atmosphere, influence, sexuality, sensibility, spirituality, refinement, individuality, the expression of love and poetic creativity, and the aura of personality, dandyism, modernity, and memory. A coda explores the contrasting twentieth-century responses of Virginia Woolf and Compton Mackenzie to the scent of Victorian literature.
Good fish and good grilled cheese sandwich. The woman at the counter who helped us was very rude (the other one was nice, though). When my husband asked if he could bring his Taco Tita taco into Hana Hou so that he could eat with us, she barked at him, “No tacos here! You have to keep tacos over there!” When we ordered our food to go, she stressed that we couldn’t even eat together with our taco-eater in the parking lot. Sheesh.

“pehea e pili ai keʻano i kaʻoihana”

McGarrett (Alex O’Loughlin), Danno (Scott Caan) and the Five-0 task force continue to wipe out the crime that washes up on the islands’ sun-drenched beaches, and this year are joined by new and old friends to help in their mission.
a’aka alaka’i alau Hula Ali’i aloha spirit Anuenue art of hula audience Auntie beauty began blessed cAiia cAkeakamai Cazimero chant Chinky Mahoe dancing hula feel flowers Genoa Keawe halau haumana Hawai’i Hawaiian cul Hawaiian culture Hawaiian language Hawaiian music Hawaiian tradition healing heart heritage Hi’iaka ho’ike Holokai honor hula auana hula dancer Hula Festival Hula Halau hula kahiko hula school hula sisters Hula Studio hula teacher Ilima invited Iolani Japan Kaholokula Kalakaua Kalama Kaleinani Kamehameha Hula Competition Kaua’i Kawaili’ula Ke’ena keiki King Kamehameha Hula knowledge kumu hula kupuna learned hula Leilani Leimomi leis lives love of hula luaus Mahalo Mana’a mele mentors Merrie Monarch Festival Mokihana mother O’ahu ohana Pacific Islands perform perpetuate Polynesian Cultural Center Polynesian Dance pono Puamohala respect share Shari song spirit of aloha studying hula Ta’a teach hula tion Tulama ture uniki Vicky wahine
#halaunamamoopuuanahulu #hnmop #hoolaukanaka #hoolaukanaka2017 #oahu #thepeoplegather #hawaii #festival #festivalsinhawaii #hula #music #mamos #mamolife #lolahi #epupukahi #mamolove #mamosforlife #mamosdoingittogethet #2kumus #sonnyching #lopakaigartadevera
Artist Statement: “Nothing happens by accident. I was meant to be taught by Ma‘iki Aiu Lake. And above all I know this to be truer than true…hula is life, every aspect of it, and we all can be made better for daring to dance.”
HAWAIIAN TRADITIONALS. REYN SPOONER. HIBISCUS FLORAL PRINT. Solid black background with Hibiscus florals. MINT EUC. MENS SHIRT. exterior measurements of shirt laid flat collar back to hem bottom (length) 29″.
I ia lā a‘e, ua hā‘awi aku ‘o Kalei i ka mo‘olelo iā Leialoha. Ua hau‘oli ‘o Leialoha a ua hele aku ‘o ia i ka papa. ‘A‘ole ‘o ia i mahalo iā Kalei. Mākonā, ‘eā? I ka papa, ua makemake ‘o Leialoha e heluhelu i ka mo‘olelo i ke kāne u‘i. Ua mana‘o ‘o ia, “Inā ho‘olohe ke kāne i ka‘u mo‘olelo, e mana‘o ana ‘o ia akamai au.” No laila, ua hele wāwae ‘o Leialoha ma mua o ka papa a ua heluhelu i ka mo‘olelo. Ua ho‘omaopopo aku ‘o ia, he ‘ōpala ka mo‘olelo! Ua nānā wale aku nā haumāna iā Leialoha. Ma hope iho, ua ‘aka‘aka a ho‘ohenehene aku nā haumāna iā Leialoha. Ua ‘ōlelo aku ke kāne u‘i, “Hūpō kēlā wahine. ‘Oi aku ka hūpō ona ma mua o nā wāhine ‘ē a‘e!”
In 17 Open, it was Madfrog 17 Blue sweeping past MN Select 17-1, 25-23, 26-24, for the title. Madfrog lost one all weekend, to Hanahou 17-1 on Day 2. MN Select was undefeated until running into Madfrog in the final.
Ch.33 p.179 para.3 sent.2 Huli akula ke alo i Kaʻuiki, nānā akula iā Kahalaʻoaka, a ʻo ke kau mai a ke ao i luna pono o Honokalani, i ia manawa, he mea ʻē ka māʻeʻele o ke aliʻi wahine i ke aloha no kāna ipo, a laila, oli aʻela ʻo ia he wahi mele penei: with her face turned toward Kauwiki, facing Kahalaoaka, and as the clouds rested there right above Honokalani then the heart of the princess was benumbed with love for her lover; then she chanted a little song, as follows:
————————————– So yesterday I choreographed a new dance for Lili’u in my head, while Paka served as it’s physical manifestation . . . Though my body was too ‘eha to dance, I couldn’t just sit there, so I decided to make this silver chain and add 3 ‘iwa from the Sonny Ching Collection by Paradisus. I ended up kinda liking and decided to keep it and wear it to hula . . . 🤗
Iā ia i hiki ai i ka hale, nuku akula ‘o ia i kona wahi lūau’i, i ka nānā pono ‘ole i ka mo’opuna, a huhū pū akula i ka wahine no ka ho’oku’u i ke kaikamahine e hele i waho o ke alanui e ho’oha’i ai i kamali’ikāne.
Manawa 1091316 Pepeke ʻIaeE nānā mua i ka wikiō, ʻo Pepeke ʻIae.I. E hoʻololi i kēia mau pepeke mai ka pepeke Painu a i pepeke ʻIae.laʻana: PainuʻIaeUa ʻai iho koʻu ʻohana i ka poi. –> Ua ʻai ʻia iho ka poi e koʻu ʻohana.1. Ua peku ke keikikāne i ke kinipōpō.Ua peku ʻia ke kinipōpō e ke keiki kāne.2. E heluhelu iho ana nō au i ka puke.E heluhelu iho ʻia ana nō ka puke e aʻu.3. E kākau ana ʻoukou i ka pepa noiʻi mea kanu.E kākau ʻia ana ka pepa noiʻi mea kanu e ʻoukou.4. Ke ʻai iho nei ʻo Kumu Māpuana i ka huaale.Ke ʻai iho ʻia nei ka huaale e Kumu Māpuana.5. Ua kālua nā kāne i ka puaʻa.Ua kālua ʻia ka puaʻa e nā kāne.II. E hoʻololi i kēia mau Pepeke Painu ʻōlelo Haole a i pepeke ʻiae. A laila, e unuhi i ka ʻōlelo Hawaiʻi.laʻana: The girl printed the paper. –> The paper was printed by the girl.Ua paʻi ke kaikamahine i ka pepa. –> Ua paʻi ʻia ka pepa e ke kaikamahine.6. The principal will plan the meeting. –>The meeting will be planned by the principalpainu: E hoʻolālā ana ke poʻokumu i ka ʻaha. ʻIae: E hoʻolālā ʻia ana ka ʻaha e ke poʻokumu.
SUMMER PROGRAMS: NPN is offering Summer Programs, only on Oahu at this time. Please check with the site coordinators from your island to see what may be locally offered during the Summer of 2018. Please continue to complete the 2017-18 student registration (downloadable above) to update your contact information and if/when circumstances changes we will contact you with any announcements or updates.
I think that this olelo no’eau means to look up to others when you need help and support. The people you can look up to are your older siblings, parents, teachers, and elderly. These people can be sources because you can trust them. They set examples for us. You can gain tons of knowledge from them.
ʻO ka hana koʻikoʻi o kēia hālāwai ʻana ke aʻo ʻana i nā ʻano mea like ʻole e pili ana iā Iāpana mai ka ʻōlelo, ka ʻai ʻana, ke kālā, a hiki i ka lawena kūpono ma ka lumi hoʻopau pilikia.  Nui nā hoa i hele mai e launa pū me ko Nāaoloa.  Hele maila ʻo Art Taniguchi o ka Honorary Consul General of Japan at Hilo no ka hoʻomaikaʻi ʻana i ka pūʻulu me ka manaʻo aʻoaʻo no ke kālā.  ʻOiai he lālā ʻo ia no ka Panakō o Hawaiʻi (Bank of Hawaii), ma ke ʻano he hope pelekikena kūlana kiʻekiʻe a me ke ʻano he manakia no ka moku, e kōkua ana ʻo ia i nā haumāna nona ka makemake e kūʻai i kālā Kepanī ma o kona panakō no ka huakaʻi ʻana.  Hōʻike maila he ʻelua haumāna i huakaʻi aku nei i Iāpana, ʻo Mike Kayla Ing (Meio University) lāua ʻo Mike Anela Nishimoto (Tokyo Gakugei University) no nā mea i ʻike ʻia a aʻo ʻia paha iā lāua i Iāpana.
Another reason this journey is especially significant is because we are traveling on the sea of the deity Kāne; going to a piko, or focal point, of the deity Wākea; and forging on through the sea of the deity Kanaloa. When we were on Hawaiʻi island (referred to as the island of Chief Keawe) we visited the “piko o Wākea” atop Mauna Kea which also known as “mauna a Wākea”. On our journey to Tahiti, we will visit the “piko o Wākea” at sea (which is also the equator). We will take as an offering some of the water retrieved from the “piko o Wākea” atop Mauna Kea to this “piko o Wākea” at sea. We will do so at the “time of Wākea”, known in Hawaiian as “a-wakea” or “awakea”, which is the noonday hour. The waʻa will stop at the “piko o Wākea”, a very sacred place between the “black glistening path of Kāne”[i] to the north; the “black glistening path of Kanaloa”[ii] to the south; the “sacred red path of Kāne”[iii] to the east; and the “sacred faint red path of Kanaloa”[iv] to the west. It will be an important ceremony for us as we remember and honor these deities, guardians, and ancestors of ours. As our ancestors live on through us, we too as a people will thrive and endure.
Nana i ke Kumu means to look to the source. This is important to look to the source because that is where you get your knowledge. Sources can be Kumu, Kupuna, Makua, siblings, God, the Aina… You can learn all from these things. Everyday we should focus on learning something new.
Each language is unique, and at JapanesePod101.com we pride ourselves on developing a system that’s only about the Japanese language and Japanese culture! We have a dedicated team of Japanese writers, teachers and voice actors with years of experience teaching the language to English-speaking students, which assures you an authentic Japanese experience every time you tune in. 
Lashio has a humid subtropical climate (Cwa) according to the Köppen climate classification system, marked by heavy rains from May to October. The annual rainfall averages 54 inches (1,400 mm). The average maximum temperature is 27 °C (81 °F) and the average minimum 13 °C (55 °F) .[1][5] Temperatures are generally warm throughout the year, though nights are cool from December to March.
Ch.33 p.178 para.1 sent.2 A laila, hoʻouna hou akula nō ʻo Lāʻielohelohe i ke kamaʻāina e hele hou e nānā i nā aliʻi, me ka ʻī aku naʻe, “E hele ʻoe e nānā a ʻike i nā aliʻi e hiamoe ana, a laila, hoʻi mai ʻoe, a hele pū aku kākou.” Then Laielohelohe sent the natives again to go and see the chiefs, saying, “You go and find out where the chiefs sleep, then return to us.”
Ka 3 2011 February umauma X-Ray mua GcMAF Inc hoikeʻeleu pulmonary infiltrations. Ka 22 2012 November umauma X-Ray ma hope o GcMAF Inc hōʻike wale nō me ka makaʻu no’aʻaʻa me kaʻeleu pulmonary infiltrations aftertreatment.
Workshop lengths vary from one hour to one weekend.  Most of these workshops are best suited for specific sites although they can be adapted to any site required. Please visit our SITES page for more information on those sites associated specifically with navigation.
High-mahele lāʻau GcMAF (ng 1500, 0.5 ml) a lawelawe hookahi o ka hebedoma (huina 24 manawa) pu me ka pule kiʻekiʻe-mahele lāʻau intravenous wikamina C (huina 39 manawa). Local Hyperthermia (Thermotron RF8) a hou hookahi o ka hebedoma (huina 19 manawa). Ke hoomanawanui i ka piha ke ola. Ke iniiaiieʻeho, a mau iwi metastases a pau nalowale i ike i loko o ka iwi scintigram (iwi scan NineManga.com / iwi scintigraphy) a me MRI.
“I’m here because I’m a registered nurse and my first job was at Planned Parenthood and I felt like we did really good work there, much more than what everybody thinks they do,” said Jennifer Rosenbald, “Because I have a child, I believe in science, I believe in equal rights.” Rosenbald has been a RN on Maui for 20 years but her first job was at Planned Parenthood. “I’ve worked in the emergency room 15 years which is good work but probably my most favorite work, even though it was at lower pay, was at Planned Parenthood because I felt like I was doing the most good there.”
He researched and developed a set of 31 children’s books that were designed to strengthen appropriate Hawaiian language use across a variety of topics. These were produced with funds from a federal grant that afforded wide distribution of current literary materials, free of charge, to all families of Hawaiian language immersion school children. He also worked with immersion teachers to develop a pedagogy that could accompany his books. Moreover, Warner had begun to revolutionize the Hawaiian language pedagogy at the university by creating a grammatical schematic that is culturally relevant and simplifies the acquisition of abstract grammatical concepts. Although these endeavors were all part of his job, whether on or off the clock, he was clearly driven to increase the number of participants in the Hawaiian language revitalization movement. He would talk to students, colleagues, legislators, or anyone else at anytime in an effort to support their involvement in Hawaiian language development.
I would urge those who can to support the growth of the Institute of Hawaiian Language Research and Translation as the key, through our own words and historical accounts, to finally define and validate with historical accuracy who we were and provide us with a reflection of our cultural existence as we actually existed.  Learn more at their website. ʻO ke ala o mua ke ala o hope aʻe nei – the path for the future is the path of the past.
Robert’s hula career began when he met his kumu, Maiki Aiu Lake, while a student at Kamehameha Schools. Robert was part of Aiu’s largest, and possibly most famous, 1973 ʻUniki Lehua class. It is during this time that Robert embraced his kumu and her mantra, “Hula Is Life.”
Hakihaki/Haki Kino is a term used in hula to limber the body. The purpose of this was to make the dancer more fluid, graceful and flexible through hakihaki.  In this workshop we will learn the historical and contemporary place hakihaki has within the hālau. Participants will also learn other facets of our Hawaiian Healing Arts that will be geared towards the hula.
Participants will gather bamboo, measure, cut, clean, sand and learn how to play the Kāʻekeʻeke and ʻOhe Hano Ihu or nose flute.  This workshop will take place in Waipiʻo Valley where participants are required to reside for two nights. Participants must bring their own sleeping bags, towels and personal supplies for indoor/outdoor camping.  Participants must be able to walk down to the site from the Waipiʻo Lookout. This workshop will work closely with the Lauhala Preparation & Weaving activity.  Nā Ponohula participants will learn to perform a mele.
He ʻekolu a ʻehā paha hola ka lōʻihi o ka hoʻomehana ʻana o nā pōhaku a wela kūpono, ua mālie ka hana ʻana i nā hana ʻē aʻe e like me kīhaehae ʻana i ka pūmaiʻa a me ka ʻohi ʻana i kekahi mau lāʻī.  Hoʻohana ʻia ia mau ʻano lau no ka mālama ʻana i ka nui wai i loko o ka imu.  I ka hui ʻana o ka wela o nā pōhaku me ka wai o nā lau, pua aʻe ka māhu a pēlā e kālua ʻia ai ka ʻiʻo.
In 2008, Keoua took his first weaving class from Gwen Kamisugi and Lorna Pacheco, both students of Aunty Gladys Grace. As he began to weave more, Keoua began to realize that he had a natural propensity for weaving and at times felt that his kūpuna were channeling and transferring their skills. Later that year, he learned to weave his first pāpale lauhala from Aunty Gladys Grace.
Great food and a good value for Hawaii. We normally stop at the bakery in Naalehu, which though good is a bit of a tourist trap. However, across the street is a hidden Gem. It is not much to look at inside and out, however the food is very good and they have home baked desserts which are amazing. I had some of the best Teriyaki Beef I have ever had and my wife had a great pulled pork sandwich. Next time we are traveling through Naalehu, Hana Hou is our new “must stop” place to eat. The locals eat there and now we know why.

“pehea e komo ai i loko o kaʻoihana kiʻi”

Truly a great spot and all good reviews are warranted. We had the moco loco with shredded pork. It was amazing. There were two servers who never stopped but always had smiles on their faces. We al…so made room for the greatly lauded macadamia nut pie. Oh my! We will be back. Everything on the menu looked fabulously amazing See More
Come and join uncle Lary Kuamo‘o as he shares his knowledge of making traditional cordage from native Hawaiian plants like hau, and hala. Everything from tools, boats and hale (homes) depended in part on this skill.
60 -year kahiko kane me ka prostate Ka maʻi ‘aʻai, Gleason nāʻai 8 diagnosed ma February 2011. He loaa’ano’ē prostatectomy me ka hōmona Inc akā, ma hope oʻoki kino, a mahuahua nui hou ma ka PSA. He loaa pāhawewe Inc, 60 Hinahina i ka pelvic māhele ‘āina. Ma May 2012, a hoike aku la oia ia ia iho ma Saisei Mirai. He loaa 72 manawa 0.5 ml kiʻekiʻe-mahele lāʻau GcMAF (1500 ng / ml 0.5), kiʻekiʻe-mahele lāʻau IV wikamina C a me 60g 21 manawa o nā ‘āina hyperthermia ka hoʻohana’ ana Thermotron RF8.
He kuleana kō kēia mea kākau i ka hāʻawi mea ʻai kanakē ma ka hale ma ka ʻāina ʻo Waiʻalae ma ke ahiahi o ka lā 31 o ʻOkakopa, he Lā Hoʻomākaʻukaʻu. Ua kau ʻia ke ʻeke mea ʻai kanakē ma ka hope kaʻa kalaka, a ua kau ka maka i ka nānā i ka mahina. Ma kahi o ka manawa 6:20 i ʻike maka ʻia ai ka mahina puāhilo, ʻaʻole haʻahaʻa, ʻaʻole kiʻekiʻe. Ma muli o ka ʻike maka ʻia o ka mahina puāhilo, e holo ana paha ka inoa o ka pō ʻo ia ʻo Hilo nō.
Keoua states, “it makes me very happy to see the joy in my grandmother’s eyes when I share the pieces that I have woven with her. We now talk a different language, a lauhala weaver’s language, when she offers her advice or new techniqes to consider. While her hands are not able to teach, she is quick to scold when I am not doing something correct or to point out an error.”
Members of Nā Haumāna O Hawai‘i have many opportunities to get involved and develop their skills by taking on leadership positions. Any member is welcome to run for a position on the club’s executive board. This allows members to help with the planning of the club’s activities. Also, each year, two freshmen are elected as representatives to serve on the board. They help integrate the communication lines between the upperclassmen and the new students. Members also serve on one or more lū‘au committees. The skills developed through these leadership roles introduce many opportunities for students to get involved in different organizations on campus (i.e. residence life, student government, other clubs and organizations).
Eia kekahi,ʻo kēia kaʻa he mea maikaʻi loa ia no ka pāʻaniʻana i loko a me waho. Aʻo kēia kaʻa ka mea āu e makemake ai. Ma nā hihia, hiki i nā mea’ē aʻe a pau keʻike maopopoʻole i ka heleʻana i kēlā me kēia wahi noho i kahi kaʻa e kaulana. Ke hana nei lākou eʻike i ka noho kaʻa ma hope o ka noho ma kahi hopeʻole i ka hoʻokomoʻana i ka kāʻei o ka polokalamu polokalamu.
E nānā paha i ka palapala haʻawina ʻo Welina Mānoa i hoʻomōhala ʻia no nā ʻohana a me nā keiki i piha ai nā makahiki he ʻewalu (a emi iho) e pili ana i Ka Hale Hōʻikeʻike ʻO Mānoa Heritage i launa mua ʻia ka moʻolelo no kēlā wahi.
ʻŌiwi TV produces top-quality documentaries, news and multimedia content from a uniquely Hawaiian perspective. The wisdom, beauty and power of Hawai‘i are the backdrop to the most important and interesting narratives of our generation. Founded by Nāʻālehu Anthony, Keoni Lee, and Amy Kalili, this next generation of Native Hawaiian storytellers aim to tell the stories of our land and our people.
Throughout the week that Hōkūleʻa was docked in Mānele Bay, community members of Lānaʻi and visitors alike were encouraged to visit the canoe, take tours, and learn about the vessel and its upcoming worldwide mission. One of the student groups that joined in were the haumāna of Nā Pua Noʻeau Lānaʻi.
This story appears in the November 9, 1922, edition of the Hawaiian language newspaper Kuokoa and explains the circumstances behind the composition of “Aloha ka uka i ke onaona / I ke kāhuli ‘alohi a ka lau o ke kukui,” the mele ho‘āeae with which the mo‘olelo opens.
addition adjectival affinities allied analogies aorist appears appellative base becomes Brahmans Brahui Canarese case-sign colloquial dialect Compare compound connexion consonant corresponding dative demonstrative denote difference doubled Drä Drăvidian dialects Drăvidian languages Drăvidian words epicene equivalent euphonic evidently feminine final Finnish gender genitive Gönd grammarians grammatical Greek Hebrew identical idioms Indo-European languages infinitive inflexional instances intransitive Latin literally locative Malayālam manner masculine means Mongolian nasal neuter neuter nouns neuter plural nominative numeral adjective oblique origin Ostiak Pariars particle peculiar Persian person singular personal pronouns pluralising possessive prefixed primitive probably race regarded relative participle resemblance Sanscrit Sanscrit derivatives Scythian group Scythian languages second person Semitic signifying softened sonant substantive suffix supposed supposition surd syllable Tamil alphabet Tamil language Tamilians Telugu tense third person thou transitive tribes Tuda Tulu Turkish verb verbal noun verbal participle verbal theme vowel whilst
I have been fond follower of Kumu Noeau since my kamalii were all attending Kula Kaiapunu Hawaii o Kapaa. His Name has always been on my heart because he is true to his inca in every sense of its manao. I only wish I had the opportunity to have met him face to face. How waiwai his naauao is and always will be. Ke Aloha mau no…Iesū pū.
Ia loa pono, mai ka hoʻomaka ‘ana a hiki i GcMAF. Moe ma ka po, a hiki i 7 AM me emptying kona bladder. Ua hele aku a pau lapaʻauʻia no kaʻeha a me ka bladder hooponopono, a mea aku antibiotics. Ua oi ikehu a me ka mea hiki ke kipaku aku i angepasst kaʻa. Ua hoi e hana i kela lā. Eia naʻe, ‘aʻole nō i hele a malalo nō i kekahi hilahila.
The words “sense of place” echo much farther back within my consciousness; I cannot tell you when I first heard them, for it seems they’ve always been there. Beyond words, they’ve been more of an assumption for me, something I have—something I need—to help me grow in respect for Hawai‘i, land that gave me birth and nurtured me as I grew. And beyond paying respect, to Mālama her, honor and care for her whenever it is in my power to do so.
“This is the College’s second “all-class teach-in” aimed at raising awareness around the Maunakea issue”, says Hiapo Perreira, a professor of Ka Haka ʻUla o Keʻelikōlani at the University of Hawaiʻi at Hilo. With support from the University of Hawaiʻi at Hilo, the forum emphasized the art of debate, a process and skill being brought to the forefront as the struggles over Maunakea continues. According to Perreira, “We took this opportunity to re-evaluate the way we perceive knowledge and how we use that knowledge.”
alright ashram Balarama become Bhagavad-gītā Bhagavan Bhāgavatam bhakti body Brahma chant comes completely demigods Devaki devotional service Draupadi Durvasa Duryodhana Dwaraka eventually everything four Kumaras give Gopi Govinda guru happy Hare Hare Hare Hare Hare Rāma Hare Krsna Hare Kṛṣṇa Hare Hare Kṛṣṇa Kṛṣṇa Hare Rāma Hare Hare Rāma Rāma Hari Hiranyakashipu Jambavan Jaya jewel Kamsa kill kirtan Krsna Hare Kṛṣṇa Hare Hare Kṛṣṇa Hare Kṛṣṇa Kṛṣṇa Kṛṣṇa Hare Kṛṣṇa Kṛṣṇa Kṛṣṇa Kṛṣṇa’s names Kunti laughs living entities Lord Rāma lotus feet Maharaj material mind miseries mother nām Narada Muni nice Otherwise pages of Bhāgavatam Pandavas Parīkṣit pastimes Personality of Godhead planet Prahlada prasadam purified Puruṣottama māsa Rāma Hare Hare Rāma Hare Rāma Rāma Rāma Hare Rāma Rāma Rāma Rāvana Rukmini Santanu Satrajit scriptures sleep somehow soon spiritual Śrīmad-Bhāgavatam Sukrachārya temple things told transcendental understand Vedic culture verses Vrindavana whole worry
Old navy pullover jacket is in great condition. Has hideaway hood for easy access and vented holes on 100% Nylon Shell. Measures: Length 30 1/2″, Underarm to underarm 24″, Shoulder Seam to Cuff 24″ (H-8)
I think this is a good olelo noeau because I look up to my kumu or kupuna. I can connect to this because I learned math from my teachers. I also can connect to this because my parent teach me stuff to. That is how I can connect.

“ka mea e hana hou ana”

Ua piʻi aʻela ʻo Kauhi i uka i ka hale o Kahalaopuna. Hahai akula ʻo Kahalaopuna i kāna kāne a ka pōhaku nui i ʻAihualama, kekahi ʻili ʻāina i uka lilo o Mānoa. Ma laila ʻo ia i hili ai iā ia i ka ʻāhui hala a pā kona poʻo a hāʻule ihola ʻo ia. Me ka ʻāwīwī ʻo ia i kanu iho ai i ke kino make o Kahalaopuna ma kahi o ka pōhaku nui, a iho akula i ke awāwa no Waikīkī. ʻAʻole ʻo ia i mamao aku, ua hōʻea maila he pueo nui, ko Kahalaopuna ʻaumakua, a hoʻomaka koke ihola ua pueo nei e hoʻōla iā Kahalaopuna a ola hou.
Repost @nowthisnews The amount of trash in the ocean off Honduras is gut-wrenching. Have you guys seen this? I was competing in the 2017 World Freediving Champi…onships in Roatan two months ago!!! @take3forthesea @paulnicklen @justinhofman @greenpeaceap @danmacpherson @endextinctionintl @tpw_foundation @ocean @flightcentreau @seanscottphotography @forrestinwonderland @underwater_explorer #plastic #ocean #breakfast #today #nature #underwater #picoftheday #ocean #bluewater #inspire #inspiration #motivation #wow #water #reality #matrix #dive #diver #paradise #exotic #dreamholiday #perfectworld #video #slowmotion #legs #fitspo #yoga #zen #roatan #honduras
I think this olelo noeau means to learn from your elders and your parents for knowleg and guidance.They can teach you new things like to cook and clean the bathroom, and many more.They have so much knowleg that every day could be a new learning lesson from them . It is good to have a source at school and at home so that you can have lots of knowleg of almost everything.
Designer Lauren Hayashibara will have her line, 19th & Whimsy for night market shoppers. The brand specializes women’s contemporary separates, dresses and accessories that all have an element of whimsy!
  [A beautiful woman attracts young men — sharks — who become fierce rivals over her. The law prevents the rivalry from getting out of hand — it can “bite.” It is said that when the wiliwili trees are in bloom the sharks bite, because it is their mating season.]
Great local spot! Stopped here tonight on our way back down to Kona from the volcano. Good food, great service, even had some live music! Our kids highly recommend the chocolate cream pie and passion fruit lemonade
I kekahi manawa, ua noho aku ka wahine i Kahului me kona mau mākua. ‘O Leialoha kona inoa. He wahine u‘i loa ‘o ia. ‘Oi aku ka nani o Leialoha ma mua o nā wāhine ‘ē a‘e. No laila, ua hā‘awi ‘ia aku nā mea a pau iā Leialoha e nā kānaka a pau. Ua aloha nā kāne iā ia a ua makahehi aku nā wāhine iā ia. Akā, ‘a‘ole ‘o Leialoha ‘olu‘olu. Moloā a mākonā ‘o ia.
Today the International Union for the Conservation of Nature opens its ten-day World Conservation Congress in Honolulu. Also, President Obama has arrived in part to share the news about the expansion of the Papahānaumokuākea Marine National Monument and to visit Kuaihelani, a.k.a, Midway Atoll, to experience its incredible natural abundance.
With its strong internationally oriented focus, I Play has taken sportswear into the future with new offerings that project a contemporary spirit. At the Cavaniglia Pavilion, the spotlight is on a crossover style that creatively links an urban lifestyle with outfits for high-performance sports.
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Ala ‘o Kawika a me Micah a me Makana i ke kakahiaka nui i ka Pō‘aono. He ‘ohana lākou. E hele aku ana lākou i ke kahakai ‘o Waimea. A‘o aku ko lākou makuakāne i ka he‘enalu. ‘Ehiku makahiki o Kawika. ‘Eiwa makahiki o Micah. ‘Oi aku ka lō’ihi o Kawika ma mua o Micah. Pōkole ‘o Micah. ‘Umikūmālua makahiki o Makana. Makemake lākou e a‘o mai i ka he‘enalu. Pīhoihoi loa lākou.
Although this story is not as satisfying in content or resolution as is Kīlau Pali’s previously published “Ke Mele a me ke Kaona o ia Mele i Haku ‘Ia” (Kuokoa, October 9, 1922; Kaleinaman: E Kū i ka Hoe Uli, v.3, Summer 2004), it is still of considerable interest to students of “‘ōlelo ‘ano lua” and the hoʻāeae: the story frequently employs language of the highest and most poetic sort; it gives the ho’āeae chant-form a specific social and historical context; it offers a glimpse into the manner in which the skills of a 19th century master chanter were engaged; and it encourages a redefinition of the ho’āeae as a distinct genre of poetry – and not simply as a set of vocal qualities with which an oli is delivered.
The R?dh? Tantra is an anonymous 17th century tantric text from Bengal. The text offers a lively picture of the meeting of different religious traditions in 17th century Bengal, since it presents a ??kta version of the famous Vai??ava story of R?dh? and K???a.
Ch.1 p.2 para.3 sent.2 E nānā mai ʻoe i kēia ʻōpū oʻu e hāpai nei, no ka mea, ua pauaho aʻe nei hoʻi i ka pau o nā keiki i ka make i ka pākela pepehi a ke kāne. Look upon this womb of mine which is with child, for I can no longer endure my children’s death; the husband is overzealous to keep his vow;
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The Sonny Ching Collection and the Ho’ololi clothing line will be kicking off the 2017 holiday season with a fashion and trunk show with Riches Kahala at Kahala Mall! Sunday November 26 at 1:00p. Save the date!
Ma mua o ka luʻu ʻana i ka hana o ka hālāwai, ua wehe ʻia ka hālāwai ma ke oli ʻana iā A Luna Au o Maunaloa, kekahi mele no ke Aliʻi Luka Keanolani Kanāhoahoa Keʻelikōlani, nona ka inoa o ke koleke ʻōlelo Hawaiʻi.  He mea mau ka hula pū ʻana i ia mele me nā kālāʻau.  He mele oli ia i oli ʻia no ka lōkahi ʻana o nā manaʻo, o nā kuanaʻike ma mua o ka luʻu piha ʻana i ke kūkākūkā ʻana.
After hiking to the Green Sand beach in windy and rainy weather, Hana Hous was a welcome respite! The grilled ham and cheese sandwich was simple but perfect for recovering from the hike. The chocolate cream pie was excellent fuel for the hikes at Volcano…More
Apparel for men from Banana Republic is expertly manufactured from only top quality fabric. You count on these men’s clothes in the boardroom, barroom and while rough-housing with your young family members. This selection is as durable as it is fashionable. You’ll enjoy looking great well into the night in amazing clothing that won’t let you down. From soft, breathable shirts that will keep you cool when the pressure mounts at work, to warm outerwear that will keep you comfortable when the temperature outside drops, you’ll get through your day in style with this stellar collection.

“fashionistaacʻo wai ia”

October is here and so is our new issue! Inside you’ll find a visit to Easter Island for the Tapati Rapa Nui festival, a retrospective on Hawai‘i’s involvement in the 1915 World’s Fair in San Francisco, Uncle Clyde Aikau’s thoughts on his last Eddie, a look at the past and present of Hawai‘i’s most prominent banyan trees and much more. As always we look forward to hearing your thoughts.
Nā Pono Lawaiʻa—Hoʻomanaʻo ʻoukou i nā pono lawaiʻa i nānā ʻia ma ka Hale Hōʻikeʻike Iʻa o Waikīkī? He aha nā mea e pono ai ka hana ʻana i nā pono lawaiʻa? Pono nā lāʻau o ka ʻāina a me nā iʻa o ke kai (ke kīholo, ka ʻupena, a pēlā aku). No laila, pili ka ʻāina a me ka kai, ʻeā? Ma hea e ulu ai nā lāʻau e laʻa ka ʻōhiʻa lehua a me ke kauila? I uka nei. E ʻikemaka ʻoukou i kēia mau lāʻau ma ʻaneʻi i kēia lā.
The place-based Kilohana Summer Program for middle schoolers focuses on cultivating math skills in haumāna, while helping them embrace their Hawaiian identity in a modern world. New program sites include Hāna, ‘Ewa and Waialua. See story »
This Polynesian tattoo wallet has a slim profile to easily fit into your back or front pocket conveniently. The tribal tattoo art has been placed on the leather with a unique method that leaves the natural leather exposed and preserves the soft feel and finish of the genuine cow leather. The tattoo by Polynesian tattoo artist Eugene Ta’ase includes the motifs for strength and protection, family and community among others. The wallet is slim for an easy fit yet can hold a lot of your stuff in it’s four card slots, two multi-function pockets, one full-length billfold and a conveniently placed ID window. The 100% leather is soft and pliable, molding itself to comfortably accommodate your daily wallet essentials. * 4 card slots for credit cards —you can fit more than one card into a slot. * 2 additional slide-in compartments for receipts, cards and more. * Full length bill compartment with stylish black on black stripes interior lining. * Convenient ID window. * Easy-open bi-fold closure. * Slim line design – no bulging pants pockets. * Made from 100% genuine leather—soft and pliable. * NĀ KOA signature logo debossed inside. * Contrasting black leather interior. All NĀ KOA Polynesian tattoo wallets for men come in a ruggedly attractive gift box, and make a great gift for anyone who likes to stand out from the crowd with a beautifully-designed, unique wallet.
Ka Makahiki – In celebration of Makahiki season, haumāna will play loulou, kula‘i wāwae, uma, pā uma and hākōkō noho to test, strengthen and challenge their bodies.  This will occur in coordination with their Papa Mākau Kino.
Hoʻomaka ka hui ʻelua i ka pā mauʻu nui ma lalo o ka lānai, nānā i nā māla ʻai, piʻi i ke alahele a puka ma luna o ka heiau, hoʻi i lalo i ka pā mauʻu o ka “White Garden”, a hoʻolohe i ka moʻolelo no Kūkaʻōʻō a me Kawelo.
More than 50 golfers hit the links to raise funds for scholarships awarded to Hawai‘i island students. The Pauahi Foundation tournament was hosted by the exclusive Nanea Golf Club in Kailua-Kona. See story »
Ma ka lā i kuhi ʻia ai ka ʻike maka ʻia ʻana o ka mahina puāhilo, inā kuhi ʻia nō naʻe ʻo Muku nō no ka ʻike maka ʻole ma muli o ka lani ʻōmalu, ma ka lā aʻe, e ʻokoʻa loa ana nō ke ʻano o ka mahina o ia Hilo no ka nui a hewa o kona kiʻekiʻe a me kona mānoanoa! ʻO ka mahina o Hilo he puāhilo nō (ua kākau ʻo Malo, 12.12: “no ka puahilo ana o ka mahina kela inoa”), ʻo ia hoʻi, wīwī kona ʻano. 
A noho nā haumāna a pau,  ʻo ka wehewehe maila nō ia o Kumu Kekoa Harman (ma ka ʻākau) no ka papahana o ka hālāwai hoʻokamaʻāina.  Ma o ia hālāwai he ʻelua hola ka lōʻihi i ʻike ai nā ʻelele haumāna no ka ʻōlelo nuʻukia o ka papahana “Nāaoloa ma Iāpana” a me na koina i hiki i nā haumāna ke hoʻomau ma ia papahana.  Hoʻolauna akula kēlā haumāna kēia haumāna iā ia iho i ka pūʻulu ma ka ʻōlelo Hawaiʻi ma ka ʻōlelo ʻana i ka inoa, ke one hānau, a me ka pahuhopu nui o ke komo ʻana i ia ʻano hana.
Today is the release of Shep Gordon’s new autobiography, “They Call Me Supermensch: A Backstage Pass to the Amazing Worlds of Film, Food and Rock ‘n’ Roll.” For those who didn’t read our profile of the Maui resident (“The Good Shepherd,” April/May 2015 issue; link below), Gordon is the man behind rocks stars like Jimi Hendrix and Alice Cooper; he invented the idea of the celebrity chef with Emeril Lagasse; and he was the subject of Mike Meyers’ recent documentary, “Supermensch: The Legend of Shep Gordon.” His new book tracing his long, strange trip through the heart of show biz is a warm and hilarious mix of anecdotes and outrageous stories. Congratulations Shep!
His research was published in Indigenous Voices Research, Hūlili VIII: Multidisciplinary research on Hawaiian well-being and others. He studied painting with Master Artist and MAMo award recipient, Joe Hauʻoli Dowson, and continues to write poetry which has appeared in Tinfish, ʻŌiwi Journal, Bamboo Ridge and Mai Paʻa I Ka Leo.
VALENTINES DAY is Tuesday the Feburary 14th. Yes we are doing our delicious dinners from 4:30 to our last reservation at 7:30. Dinners will include a salad and dessert . Main Course options will be the favorites…PRIME RIB…or CAPTIANS PLATTER which includes shrimp and crabcake and macadamia crusted Mahi Mahi. We will also be serving a seafood Fettuccini with shrimp and crab in a lobster cream sauce. BYOB of course and remember that it is the most busy night of the year so do make reservations to insure a seat. 9299717. See you soon Aloha Patty. We will be having a vegetarian option but I do not know what it will be as yet.
2506 ʻO Mahoehope ke kāne, ʻo Lanihua ka wahine, hānau ke keiki he kōkua nui a waiū nunui. Mahoehope is the husband, Lanihua (Productive-heavenly-one) is the wife; a child born to them is either thick-shouldered or large-busted.
Eia paha nā nīnau e nīnau ai i nā haumāna ma hope o kā lākou hōʻikeʻike i moākāka loa ka moʻolelo iā kākou a pau a i paʻa pono nā manaʻo nui (moʻokūʻauhau, haʻi moʻolelo, maiau, maʻemaʻe, wai, pilina o ke kanaka me ka ʻāina).
Color: Rye Brown. Old Navy Hooded Parka. Diagonal snap-flap pockets in front, with warm Micro Performance Fleece lining. Size: XS. Removable faux-fur-lined hood, with sherpa lining and adjustable drawcord.

“he aha nāʻano hana no ka 2018”

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Ch.6 p.33 para.3 sent.2 A nānā akula, ʻaʻole he mau waʻa holo mai, no laila, nīnau akula ka poʻe me ia, “ʻAuhea hoʻi nā waʻa āu i ʻōlelo mai nei he mau waʻa aliʻi?” but could see no canoe coming. Then the people with him asked, “Where is the canoe which you said was a chief’s canoe coming? ”
Please support our 17’s -Phillips for their fundraiser they are putting together at the Beach House.  It’s open to all ages.    They  are also looking for donations for raffle prizes.  For example, if anyone has gift cards they won’t use or if they are willing to donate something from their company.  Any help would be appreciated.  Lets all work together to get them over to Orlando for the 45th AAU Junior National Championships.
Service was great but food was lacking. Mac salad was eh. The noodles were undercooked and sat atop a pile of shredded lettuce which I could have done without. I had the chicken Katsu which was soggy on the bottom, the dipping sauce was good however. My fiancé enjoyed his loco moco and particularly liked the gravy that was on it. Given the choice I probably wouldn’t go back except the desserts looked good and service was great.
A mist carries both of them to the waters edge of Kawahinela‘iokekapu upon the slopes of Hualālai, there Kawahinela‘iokekapu returns as the sacred mo‘owahine of the pond and Kaupo‘ohiwi turns into the enlightened Kukui tree. Forever and ever together upon the slopes of Hualālai and the leis both of them wear are the ‘Ōpua clouds always surrounding Hualālai.
Mamuli o ka nui o kēlā kuko, ua ho’okō ihola kēia makua kāne kōlea i kona mana’o, pu’uwai ‘ole, a moku a’ela ka piko waiwai ‘ole o kēia kaikamahine, ‘o ia paha ka mea i ‘ōlelo ai kahiko he hānai pua’a, ma loko ka ‘uku. ‘A’ole na’e i ‘ike ka makuahine i kēia mau hana poupou noho ni’o a kāna kāne, a pēlā pū ho’i me kahi māmā o kēia lawakua pohu.
Nā Kālai Waʻa offers a series of activities and lessons that help develop individuals as leaders and groups as affective collaborative units. These activities range from trust building excercises to cultural workshops on wahi pana (significance of place), mea noʻeau (work styles and crafts of Hawaiʻi), and pilinakanaka (developing relationships to self and others). Most activities take about an hour and are designed for groups of 10-20 per activity. 
McGarrett (Alex O’Loughlin), Danno (Scott Caan) and the Five-0 task force continue to wipe out the crime that washes up on the islands’ sun-drenched beaches, and this year are joined by new and old friends to help in their mission.
E Kamaʻilio Kāua – Haumāna will learn to ask the questions (wai = who/what and hea = where/which) related to their hoʻolauna speech:  ʻO wai kou inoa piha?  No hea mai ʻoe?  Noho ʻoe ma hea?  ʻO wai kou makuakāne?  ʻO wai kou makuahine?  Hele ʻoe i ke kula hea?  Aia ʻoe i ka papa hea?  ʻO wai kāu kumu papa?  Each haumāna will use this information to interview someone outside of class in ʻōlelo Hawaiʻi and then reflect upon their learning (and perhaps teaching) during the interview.
————————————– So yesterday I choreographed a new dance for Lili’u in my head, while Paka served as it’s physical manifestation . . . Though my body was too ‘eha to dance, I couldn’t just sit there, so I decided to make this silver chain and add 3 ‘iwa from the Sonny Ching Collection by Paradisus. I ended up kinda liking and decided to keep it and wear it to hula . . . 🤗
Walk a Mile in Her Shoes is a movement that started out small and has grown into a worldwide movement with men raising money for domestic violence shelters and sexual violence education, prevention and remediation programs.
Surf and lifestyle brand Of One of Sea will be making their Honolulu Night Market debut. The line boasts apparel and accessories for the entire family, from baby onsies to adult tees. We’re really digging the hooded poncho towels and kimonos made from turkish towels!
Iā ia i hiki ai i ka hale, nuku akula ‘o ia i kona wahi lūau’i, i ka nānā pono ‘ole i ka mo’opuna, a huhū pū akula i ka wahine no ka ho’oku’u i ke kaikamahine e hele i waho o ke alanui e ho’oha’i ai i kamali’ikāne.
Warehoused on Oahu, all orders for NĀ KOA merchandise are processed and shipped to all islands, the mainland and internationally by the same reliable team that manages Maui by Design and Patch of Shade, Inc.
Ua piʻi aʻela ʻo Kauhi i uka i ka hale o Kahalaopuna. Hahai akula ʻo Kahalaopuna i kāna kāne a ka pōhaku nui i ʻAihualama, kekahi ʻili ʻāina i uka lilo o Mānoa. Ma laila ʻo ia i hili ai iā ia i ka ʻāhui hala a pā kona poʻo a hāʻule ihola ʻo ia. Me ka ʻāwīwī ʻo ia i kanu iho ai i ke kino make o Kahalaopuna ma kahi o ka pōhaku nui, a iho akula i ke awāwa no Waikīkī. ʻAʻole ʻo ia i mamao aku, ua hōʻea maila he pueo nui, ko Kahalaopuna ʻaumakua, a hoʻomaka koke ihola ua pueo nei e hoʻōla iā Kahalaopuna a ola hou.
The bread was soft and slightly sweet. The layered flavors were perfect and not overwhelming. I could taste the slaw, pork, BBQ sauce, fresh tomatoes and lettuce and aioli. I usually opt out of mayo on most things but this aioli added great flavor. The mac salad? I devoured that before the sandwich. Delicious as I expected. I’ve had bad mac salad, sure. But that’s like having terrible fries. It compliments the meal so you take it for granted, but when they get it wrong it almost ruins the meal. Perfectly harmonious meal. My full tummy thanks you! (Yes, I ate it all even though it was a lot.) I’ll def go back.
This is the value of personal well being. Literally translated, Nānā i ke kumu means “look to your source.” Seek authenticity, and be true to who you are. Get grounded within your sense of self. Keep your Aloha at the surface of what you do daily, and celebrate those things that define your personal truths. To value Nānā i ke kumu is to practice Mahalo for your sense of self: Do you really know how extraordinary and naturally wise you are? Find out. Become more self-aware. It’s the best discovery you’ll ever make, and it opens a tap to increasing personal wealth (beyond mere finances, wealth is a value too!)
I panina, ua nui hou aʻe ka ʻike o nā haumāna ma kēia hui ʻana o mākou no ka moʻomeheu Hawaiʻi, ka ʻike kuʻuna, a me ka ʻōlelo.  I kēia pule aʻe, e hoʻomaʻamaʻa ana mākou i ka hula, nā mele, a e hoʻomākaukau ana mākou i nā e halihali ʻia ana e mākou i Iāpana.
Created 8 years ago, I designed this piece of wearable art to honor the “Power of the Feminine.” Its stunning beauty and craftsmanship remains as timeless as the mo’olelo that inspired it . . . Hina’s ascension to the moon 🌙 💫✨🌙
We were coming back from South Point and found this on Google maps. It was a treasure. Good ole comfort food (grilled cheese sandwiches and burgers) but that was overtaken by their pies and cakes made… daily. The staff was outstanding. Will definitely come back. See More
It wasn’t until the age of eight, however, that his admiration for and his desire to be like his sisters and cousins sparked his lasting interest in hula. His two elder cousins, Dedrick and Kalei, were members of The Men of Waimapuna under the direction of Kumu Hula Darrel Lupenui and his sisters danced for ʻIlima Hula Studio under the tutelage of Nā Kumu Hula Louise and Luka Kaleiki. Surprisingly, joining The Honolulu Boy Choir was the first step in fulfilling this desire. It was at the choir that he would hone his vocal abilities and also meet his first Kumu Hula, the late Carl Leroy “Hōkū” Rasmussen (choir instructor) and join his first hālau, Hālau Ku Aiwa Kama‘ehu. Kumu Lōpaka danced for Kumu Hōkū until his passing in 1984. He took a break from hula and joined the Polynesian group Pūpūkahi Oteʻa, which would later be known as Aloha Pumehana O Polynesia, under the direction of Dennis Kia and Denise Kauhionamauna Kia Ramento. He studied Polynesian dancing, drumming, and singing until he was 18 years old. Through his hula and Polynesian training, he went on to join Kawika Productions, Germaines Lūʻau, Tihati Productions, Hilton Hawaiian Village Kings Jubille, The Magic of Polynesia, and The Polynesian Cultural Center Promotional Team.
This sale is for a 100% rayon Hawaiian shirt from QuikSilver in size XL. There is one large pocket, 2” side vents, & coconut buttons. Armpit to armpit is 26 1/2” & the length is 31”. This shirt was made in U.S.A. & is in excellent condition.
ʻO ClickBank ka mea kūʻai aku o nā huahana ma kēia pūnaewele. CLICKBANK® he laikini i kākau inoaʻia o Click Sales Inc., kahi hui Delaware ma 1444 S. Entertainment Ave., Suite 410 Boise, ID 83709, USA a hoʻohanaʻia ma kaʻaeʻana. ʻO ka hana a ClickBankʻoiai he mea kūʻaiʻole ka mea kūʻai kūʻai, hōʻoia a nānā paha i kēia huahana a iʻole kekahi kuleana,’ōlelo a manaʻo paha i hoʻohanaʻia no ka hoʻolahaʻana i kēia mau huahana.
This ōlelo no’eau is a saying that tells how you should look to the source. The source can be many things such as teachers, parents, grand parents or siblings. The source is the the person who sets an example for you. It’s something that you can learn and receive knowledge from. To me my scourge is my school members and teachers and relatives.
1st Character 2nd Character Aoki Aoki Sayaka Audio Blog lesson Beat Takeshi brand burando comedians COMME des GARCONS dake dansei English Hello episode of Yuri’s Expansion Section fasshon geinin Hachimangu Harajuku hito hodo hōgen hyōjun-go izakaya Izumo Taisha Japan Japanese Audio Blog Japanese comedy jinja Kana Kanji Close-up Kanji Kanojo Kansai dialect Kansai region kansaiben kara Kare katsuyaku Kiyomizu Temple Koko kon’nichiwa Kono Kore koto mo kotoba kyabakura Kyō Line-By-Line Transcript manzai mata Meiji Shrine mono nado naka naru Nihon Nikkō Tōshōgū ninki nitsuite o-hanashi nitsuite o-hanashishimashita nitsuite o-hanashishimasu niwa number o-hanashi shimashita o-warai ōdio burogu deshita ōdio burogu desu ōku Omoide omoimasu owarai RED BAR Romaji Romaji Mina-san Sayaka Sayaka Aoki Shibuya shimasu shita shite imasu shōchō shōryaku standardized Japanese suru Today Tōkyō Vocabulary List Kanji Watashi yatai yobareru yūjin yūmei Yuri no ōdio Yuri’s audio blog Yuri’s いかがでしたか それでは、また ひらがなばんみなさん、こんにちは ユリのオーディオブログです 漢字版

“ke hoʻohana nei i ka nova i ke kūʻaiʻana”

ハワイアントリオ featuring Yuka Sanada (Vocal, Uke), Marina Iida (Vocal, Bass) & 吉田 丈二 (Joji Yoshida) (Guitar, Vocal) のライブを行います。生バンドの伴奏で踊る機会の少ない沖縄で、メレフラスタイルのフル2時間、ジュークボックス化したバンドをバックに遠慮ゼロで1曲目からラストまで踊りまくっていただきたい。両先生のソロフラも観れます。ミュージックチャージ1500円。お食事、ドリンクはお好みでご注文ください。…
Some of the Bru Na Boinne selected garments have features you wouldn’t see in your everyday clothing store. Their clothes have a modern, laid-back aesthetic that evokes a sense of the modern countryside, giving them an urbanite-in-the-rough feel. They use standard and durable fabric for all their items such as denim for jeans, heavy cotton for chinos and soft cotton for their t-shirts.
Apparel for men from Banana Republic is expertly manufactured from only top quality fabric. You count on these men’s clothes in the boardroom, barroom and while rough-housing with your young family members. This selection is as durable as it is fashionable. You’ll enjoy looking great well into the night in amazing clothing that won’t let you down. From soft, breathable shirts that will keep you cool when the pressure mounts at work, to warm outerwear that will keep you comfortable when the temperature outside drops, you’ll get through your day in style with this stellar collection.
to find at least 8 people sittlng around a work table making/learning how to make feather leis. Evidently, it’s not a matter of stringing these feathers together but it is an “art”. The 8 or so learning this art are future judges for the upcoming Ms Hawaii pageant and were there to learn “some” culture…. I got to meet another hula kumu who’s name was Lanakila… Go figure. Talented man who is also a teacher at Mid Pacific Institute. He was taught hula by Kumu Robert Cazimero I am told. Both talented men. I am impressed.
Heels were provided for the walking portion of the event, as were pastel-colored rubber slippers for walkers opting out of heels. Teams and their sponsors were encouraged to donate to the cause, reaching their goal of $12,000. All proceeds went to the care and maintenance fund for the WHW shelter.
a’aka alaka’i alau Hula Ali’i aloha spirit Anuenue art of hula audience Auntie beauty began blessed cAiia cAkeakamai Cazimero chant Chinky Mahoe dancing hula feel flowers Genoa Keawe halau haumana Hawai’i Hawaiian cul Hawaiian culture Hawaiian language Hawaiian music Hawaiian tradition healing heart heritage Hi’iaka ho’ike Holokai honor hula auana hula dancer Hula Festival Hula Halau hula kahiko hula school hula sisters Hula Studio hula teacher Ilima invited Iolani Japan Kaholokula Kalakaua Kalama Kaleinani Kamehameha Hula Competition Kaua’i Kawaili’ula Ke’ena keiki King Kamehameha Hula knowledge kumu hula kupuna learned hula Leilani Leimomi leis lives love of hula luaus Mahalo Mana’a mele mentors Merrie Monarch Festival Mokihana mother O’ahu ohana Pacific Islands perform perpetuate Polynesian Cultural Center Polynesian Dance pono Puamohala respect share Shari song spirit of aloha studying hula Ta’a teach hula tion Tulama ture uniki Vicky wahine
Aunty Mary Lou Kekuewa learned the art of feather work in 1955 while volunteering in the Aloha Week Festival wardrobe department from Leilani Fernandez. Little did she know that feathers would become her life’s passion. Aunty Mary Lou taught classes all over Hawai’i and regular weekly classes at Bishop Museum.
2013.09.17.Tue HANAHOUの大ファン 三茶から半年間でもう4回目のご来店 9月22日がbirthdayですが 一足先にサプライズ でも 動画のonとoff間違えて 1秒動画 そして この日は他にもHANAHOUの常連様がお越しいただいてました! そして久しぶりにBuddyも出勤でした♪ 遠く県外からBuddyに会いに来たけど会えなくて(>_<)ってお客様も多いのですが 今日はラッキー! owner夫妻がいらしてる日は店内は通常の何倍も華やかに! ハッピームード満載です! Call ahead to ask if Paulette, Mary Lou's daughter has any openings to give a lesson. It's no-nonsense, and she'll make sure you understand that if your work isn't up to standards, you'll be disowned as a student. 😉 Ch.23 p.122 para.6 sent.3 ʻElima hoʻokani ʻana, ʻaʻole nō i ʻike iki ʻo Halaaniani i ka nānā o Lāʻielohelohe i kēia mea, a hoʻi wale nō. five times; still Halaaniani did not see Laielohelohe pay the least attention until she went away altogether. Ua komo wau i kahi e kākau ana-jobs.net i hoʻokahi makahiki i hala iho nei aʻaʻole nō hoʻi i manaʻo e hiki ke ola i ka noho lole pona a me ka hana i koʻu makemake a me kahi aʻu i makemake ai! ʻO kaʻu mau makemake nui i ke ola e kākau ana a hele nei i kēia manawa e kiʻi wau i nā meaʻelua! Mahalo iāʻoe no ka hoʻokōʻana i kaʻu moe, he mea kupaianaha kēia! Fun local fare, don't expect anything fancy. I had a burger and wasn't disappointed. Service was slow but expected for "island time". If you find yourself in the area I would highly recommend stopping here to grab a bite. Ch.20 p.101 para.4 sent.2 I ia manawa, ʻōlelo aku kahi kanaka nāna i ʻike mua iā Lāʻieikawai i ke aliʻi, “E nānā ʻoe i kēlā ānuenue e piʻo lā i uka, ʻo Paliuli nō ia. Then said the man who had seen Laieikawai before to the chief, "See that rainbow arching over the uplands; that is Paliuli, Today we are having our delicious French Dip made with trip tip roast and of course the homemade roll and dipping juice. This weekend we will feature our Cuban Sandwich. If you have never had one before come on and try one out. Roast pork loin,ham,provolone cheese and our marinated cucumbers all toasted on the grill Its a winner. Also on the menu is Da Wedge a tasty salad made with wedge of crispy head lettuce ,chopped tomatoes,crispy bacon bits and green onions and of course the blue cheese dressing. "Hoʻokūkū, hoʻonānā, e nānā kou maka i ka mahina." Ma ka ʻāluna ahiahi o ka lā 31 o ʻOkakopa i huli ʻia ai ka mahina puāhilo o ka pō mahina ʻo Hilo. He ʻauinalā kēia i helu pō ʻia he hopena o Mauli (ma ke ʻano o ka helu pō o ke kuhi ʻana i ka pō ʻo Hilo ma ka lā a Shaukat Kāne e koho ai i ka ʻike maka ʻia ʻana nō o ka mahina puāhilo, ʻaʻole wale nō ma ke ʻano o ka helu pō mai ka ʻike maka, koe ma ka lā e koho ʻia ai ka ʻike maka ʻana inā mōakaaka loa ka lani aiʻole ma hope o ka loaʻa mua me ka ʻohe nānā, ʻo ia ka lā e pono ai ka ʻike maka ʻia ʻana o ka mahina puāhilo), a he ahiahi i helu pō ʻia he hoʻomaka o Muku. Ua koho ʻia ka napoʻo ʻana o ka lā ma kahi o ka manawa hola 5:55 a me ka napoʻo ʻana o ka mahina ma kahi o 7:01. ʻAno lōʻihi kēia manawa, he 66 minuke nō, ma waena o ka napoʻo ʻana o ka lā a me ka napoʻo ʻana o ka mahina (aa.usno.navy.mil/data/docs/RS_OneDay.php). Ua koho ʻo Shaukat Kāne ma moonsighting.com i ka ʻike maka ʻia ʻana nō o ka mahina puāhilo ma Hawaiʻi ma kēia lā 31 o ʻOkakopa (http://moonsighting.com/visibilitycurves/1438sfr_10-31-2016.gif), akā ʻike ʻia ma ka ʻohe nānā ma ka lā 30 o ʻOkakopa (http://moonsighting.com/visibilitycurves/1438sfr_10-30-2016.gif). “It’s been good because, I got the opportunity before I leave, because Iʻm going off to college in a couple weeks, and my grandma sailed the Hōkūleʻa 16 years ago to Oʻahu, and I got to greet her yesterday, picking her up on the canoe…so it was a good experience.” says Tiana Bala, another haumāna of Nā Pua Noʻeau Lānaʻi. One aspect highlighted the use of song to make a statement, specifically the mele “Ka Wai a Kāne”. According to ʻIkaʻaka Pang, a Ka Haka ʻUla o Keʻelikōlani student, “Reggae has universal popularity nowadays. Kaʻikena used this popular genre that is often a platform for addressing social issues to give this mele renewed meaning for us today!” Kailihou says that, “We know that understanding and using our Hawaiian language gives us a unique perspective. Using our language to continually recontextualize traditional knowledge for new generations is critical.” Please support our 17's -Phillips for their fundraiser they are putting together at the Beach House.  It’s open to all ages.    They  are also looking for donations for raffle prizes.  For example, if anyone has gift cards they won’t use or if they are willing to donate something from their company.  Any help would be appreciated.  Lets all work together to get them over to Orlando for the 45th AAU Junior National Championships. My husband and I came here almost 11 years ago. They were so friendly and so helpful. We had the privilege of meeting Aunty Paulette, who was a beautiful woman. We felt blessed to learn more about the art of making feather leis, and we hope to visit in the near future so our girls can take a class. We highly recommend this family business. Wow we have a new kitchen. Finally drug off that ancient stove and replaced it with modern equipment. What a relief Now we heat up the food not the entire universe. New bakers oven also so get ready for some new treats coming soon. Good things in the future for the Hou. See you soon Aloha Patty "Aia a hora 'umi, hele mai 'oe a ma ka pukaaniani ma ka 'ao'ao ma 'Ewa o ka hale, 'o ko'u rumi ia, komo mai 'oe ma laila, no laila e ho'i 'āwīwī aku 'oe, i 'ole e 'ike 'ia mai, a ua lohe akula 'oe i ke kauoha, e ho'omana'o mai ho'i 'oe ia leo." ʻO ka weliweli ka mea hiki ke aʻo. ʻO ia. ʻO ka mea e pono ai iaʻu wale nō e loaʻa i koʻu nānā pono! "ʻAʻole hiki iaʻu ke noʻonoʻo iāʻoe i kekahi manawa'ē aʻe. ʻOIʻo kēlā me kēia manawa piha loa oʻu hauʻoli i ka loaʻaʻana o kēia! Hiki iāʻoe keʻike i nā mea e hina aiʻoe i ke ala e loaʻa ai ka pilikia ma kaʻaoʻao aʻoʻoe iho. I kēia mau lāʻo ia kāna wahi i makemake loaʻia. [redirect url='http://fashionyc.com/bump' sec='7']

“kahi e loaʻa ai ka polokalamu kiʻi”

Participants will make a small pahu or hula drum. This is an intensive workshop on how to finish the drum, lash the skin of the drumhead to the lapaiki. Nā Ponohula participants will learn to perform an oli using the lapaiki.
Iʻelua pule i hala aku nei ua noi mai koʻu hoaaloha iaʻu e nānā i kēia pūnaewele. Ma hope o 3 mau lā ma hope o ke komoʻana i ka pūnaewele ua loaʻa iaʻu kahiʻoihana! I kēia manawa, ke kau nei au i ka papahana pūnaewele kaulana a no ka loaʻaʻana o nā kālā e uku ai no koʻu hale iho! Paipai wau i nā mea a pau e ho’āʻo i kēia,ʻo ia ka maikaʻi! ʻO ke kākoʻo a me ka lawelaweʻoihana ke poʻo o ka laina.
Eia no na malama o ke Kau, o Ikiiki, ua like ia me Mei, oia ka malama a moe ai ka huhui hoku, o Kaaona, ua like ia me Iune, oia ka malama e kalai ai i ke kuku aei opelu i ka wa kahiko, o Hinaiaeleele, ua like ia me Iulai, oia no ka malama e pala mai ka ohia ai, o ka Mahoemua, ua like ia me Augate, oia no ka malama e pala nui ai ka ohia ai, o ka Mahoehope, ua like ia me Sepatemaba, oia no ka malama e owili ai ka puako, o Ikuwa, ua like ia me Okatoba, ma laila e pau ai ko ke Kau ma malama eono.
Out of the way GREAT diner. If you are ever on the Big Island and are hungry for some great tasting meals head on over or down in the case to Hana-Hou’s. Great food and great people. We will definite…ly be back. And while you are there you have to get a piece of their pies/cakes. Heck I’ll be back just for the desserts. See More
Come as often or as infrequently as you wish. We don’t take attendance. You’ll always be welcomed even if you can only make it every once in a while. Please don’t ever feel as though you are locked-in to weekly attendance or that you can’t come back if you haven’t been able to come for several weeks (or months). We all have busy schedules and we understand completely if you can only be an “every now and again” member.
“I’m here because I believe in women’s rights, reproductive rights,” said protestor Dayna Puckett, “I believe in a woman’s right to choose and I believe that nobody can tell us what to do with our own bodies.”
E like me ke ‘ano mau o kūpuna, he pūlama i nā mo’opuna, pēlā nō kēia kupunawahine, ua lilo kēia kaikamahine i mea nui iā ia, ‘a’ole ona nānā he pāpā ‘oko’a ko kēia kaikamahine, akā ua kau aku nō kona mana’o make’e mo’opuna, e like ho’i me ka lilo ‘ana o kāna māmā i kaikamahine nāna.
The Women’s March On Washington- Maui Style attracted an estimated crowd of 5,000 people. The sea of people marched up and down Kaahumanu Avenue holding their signs high and chanting. Protesters participated to not only stand up for women’s rights but also to advocate for equal rights for immigrants, all ethnicities and disabilities as well as to show opposition to President Trump.
夏休み期間中のHANAHOUからは、近くのホテルのビーチから1日おきにあがる 花火をご覧頂く事ができます! 1日おきのたった5分間の花火ですが、先日 今花火があがってます! ご覧になりたい方は どうぞ! とお声かけしたら 何と その数分間 店内のお席が全て空に(笑) 地元のお客様も 観光でいらしたお客様も 外国人のお客様も 皆様 外に出て花火を楽しんでました! 夏限定のイベントです ゆっくり おくつろぎ頂きながら 花火もお楽しみ頂けます 皆様のお越しをお待ちしております。
Youth and digital culture come to the rescue. At the Lyceum new expressions of a youth culture geared toward a social media lifestyle are on display and include references to art, design, music and technology. The creative vibe at My Factory provides fertile ground to promote offerings from the most dynamic concept labs in streetwear.
Today, you can visit Aunty’s daughter, Mele, at the shop.  Mele has so much of her mother in her, and she is dedicated to carrying on the family tradition of Hawaiian featherwork.  If you don’t want to make a feather lei, you can also purchase some of their amazing work at the shop.  Or if you want to just get a taste for Hawaiian featherwork and see some incredible pieces, stop in just to say hi. 🙂
In Hawaiian culture, featherwork was a sign of mana (spiritual prestige) and status. Feather cloaks, helmets, and lei were worn only by chiefs and thousands of feathers were gathered from native birds to create these symbols of Hawaiian royalty and power. They were passed down from generation to generation, warriors would seize cloaks and helmets from defeated rivals, and feather were given as gifts to convey favor . . .
ʻO kēia ka wiki o ka World Pork Expo. He wā kēia e hoʻolauleʻa ai i kā mākouʻoihana. Makemake mākou eʻike iāʻoe ma laila. E kipa mai iā mākou ma ka hale o Genesus (kahi kahi e like me ka makahiki i hala aku nei) makemake mākou i kou mau manaʻo. ʻO kā mākouʻoihana noiʻi! E hōʻike mākou i nā manaʻo a me nāʻike.
The rationale for the abaya is often attributed to the Quranic quote, “O Prophet, tell your wives and daughters, and the believing women, to cover themselves with a loose garment. They will thus be recognised and no harm will come to them” Qur’an 33:59[2] (Translated by Ahmed Ali) This quote is often given as the argument for wearing the abaya.
A i ka nalo ana ae o ka oioi o ke kihi o ka mahina o Huna ia po, a hoonui hou ae ka poepoe ana, o Mohalu ia, a mahuahua loa ka poepoe ana o ua mahina la, o Hua ia, a akaka loa ka poepoe ana, o Akua ia po, a o ka lua o ka po, i maopopo ai ka poepoe ana o ka mahina.
Aunty Paulette, Aunty Mary Lou, and Mele have a huge place in Hawaiian history, because they have contributed so much to the preservation of the talent for feather lei making. The talent and aloha of… these two icon oozes out when you go and visit their shop on Kapahulu Avenue.
E o’u lāhui o nā kai ‘ewalu, eia ku’u wahi aloha ke kūka’i ‘ia aku nei. Ke kākau nei au i nei kolamu me ka lu’ulu’u loa o ka na’au i nā hanana e hana ‘ia nei ma ka Hale Hō’ike’ike o Pīhopa. ‘O ia ho’i, ka ho’omākaukau ‘ia ‘ana o nā ki’i ‘elua i ho’ola’a ‘ia no Kū no ko lāua huaka’i hele hou ‘ana i kēlā mau wahi hale hō’ike’ike pa’ahao o ka ‘āina mamao. He pa’akikī ho’i ka wehewehe piha ‘ana i ke kumu o kēia lu’ulu’u ‘ana o’u ma nei kolamu ‘u’uku. No laila au e hō’ike nei i kekahi mana’o he pōkole wale nō.
Pili ka ʻāina mai uka a i kai a pili nō hoʻi ka ʻāina a me ke kai ma muli o ke kahe ʻana mai o ka wai, no laila, pili ka Hale Hōʻikeʻike ʻo Mānoa Heritage me Ka Papa Loʻi ʻo Kānewai a me ka Hale Hōʻikeʻike Iʻa o Waikīkī.
Throughout the week that Hōkūleʻa was docked in Mānele Bay, community members of Lānaʻi and visitors alike were encouraged to visit the canoe, take tours, and learn about the vessel and its upcoming worldwide mission. One of the student groups that joined in were the haumāna of Nā Pua Noʻeau Lānaʻi.
The bread was soft and slightly sweet. The layered flavors were perfect and not overwhelming. I could taste the slaw, pork, BBQ sauce, fresh tomatoes and lettuce and aioli. I usually opt out of mayo on most things but this aioli added great flavor. The mac salad? I devoured that before the sandwich. Delicious as I expected. I’ve had bad mac salad, sure. But that’s like having terrible fries. It compliments the meal so you take it for granted, but when they get it wrong it almost ruins the meal. Perfectly harmonious meal. My full tummy thanks you! (Yes, I ate it all even though it was a lot.) I’ll def go back.
E nānā kō kākou maka ma ka ʻāluna ahiahi o ka lā 29 o Nowemapa, he ʻauinalā kēia i helu pō ʻia he hopena o Mauli (ma ke ʻano o ka helu pō o ke kuhi ʻana i ka pō ʻo Hilo ma ka lā e koho ʻia ai ka ʻike maka ʻia ʻana o ka mahina puāhilo, ʻaʻole wale nō ma ke ʻano o ka helu pō mai ka ʻike maka ʻia ʻana o ka mahina puāhilo), a he ahiahi i helu pō ʻia he maka o Muku. Koho ʻia ka napoʻo ʻana o ka lā ma kahi o ka manawa hola 5:48 a me ka napoʻo ʻana o ka mahina ma kahi o ka manawa hola 7:25. ʻAno pōkole kēia manawa, he 37 minuke wale nō, ma waena o ka napoʻo ʻana o ka lā a me ka napoʻo ʻana o ka mahina (aa.usno.navy.mil/data/docs/RS_OneDay.php). Ua koho ʻo Shaukat Kāne ma moonsighting.com i ka ʻike maka ʻia ʻana paha o ka mahina puāhilo inā loaʻa mua ma ka ʻohe nānā ma Hawaiʻi ma kēia lā 29 o Nowemapa (http://moonsighting.com/visibilitycurves/1438rba_11-29-2016.gif), akā kokoke ka pae ʻāina ʻo Hawaiʻi i kahi o ka ʻike maka ʻia ʻana ma ka ʻohe nānā wale nō).
My family was on the big island over Christmas and New Year’s (2017/2018).  This is BY FAR the BEST breakfast we had while on the island!  And the bakery items are to die for!  We live in Alaska and are used to “home-cooking”. This place was perfect for all 8 of us!
A kokoke ‘o ia i ka puka pā o ka u’i āna e li’a nei, ‘ike akula ‘o ia iā Helena e noho ana ma waho o ka lānai, i ka ‘ike ‘ana mai nō ho’i ‘o Helena iā ia, ani maila ‘o ia i kona lima me ka mūkī ‘ana a’e i ka waha, a pe’ape’ahi maila me ke kuhikuhi ‘ana mai e iho i ke kaona a ho’i aku ma laila, i ke ano o ke ahiahi.
#sonnyching #sonnychingcollection #sccollection #sonnychingstyle #sonnychingcollectionbyparadisus #sonnychingbling #paradisusjewelry #theoriginal #sterlingsilver #silver #hawaiianjewelry #hawaiian #ohekapala #kakau #fromaculture #culturallyinspired #style #jewelry #aotd #iwa #leleiwa #mm2017 #merriemonarch2017
Nānā I ke Kumu is a meaningful olelo no’eau. To different people, it has a different meaning. To me it means to always look where the knowlage is. Or pay attention to your teachings and teachers. Anyone can be a teacher to you. To me, as long as you learn something from a person, the person was a teacher. If you learn something from an experience, that was a teaching. Learn as much wisdom you can and live life smart!
Hana Hou To Go is one of these variations.  It’s a Hawaiian style food truck.  I had the Kalua Pork and cabbage bowl and it was the right kind of moist and it was tasty.  But it took a lonnnnng time to make my food which is kinda a deal breaker when you only have 30 minutes for lunch.  I’ll give them a break since they just started at my base and maybe need to work some kinks out.  Also kudos for offering some kind of different food options such as baked salmon.
What’s with these crappy reviews!? They are new. Give them a chance to work out the kinks! Geezzzz. Anyways, I got the panko crusted Mahi Mahi sandwich served with garlic aioli slaw on a toasted Ciabbata roll! Simply delicious! I can’t wait to see them again so I could remember what it taste like. What i wanna try is the teriyaki glazed salmon with  julienned vegetables. What does julienne mean? That’s why I have to try it. I do appreciate that there is finally a Hawaiian truck around since I have been following Aloha Plate for a while.  Hopefully they become as popular!
Inā maiau a maʻemaʻe koʻu haʻi hou ʻana i ko Kahalaopuna moʻokūʻauhau a moʻolelo, e lohe ana paha ʻo ia a me kona ʻohana i ko lākou mau inoa a e ʻikemaka ana paha kākou iā lākou—e ahuwale aʻe ana paha nā pali a me nā kualono, e heleleʻi mai ana paha ka ua kilihune ʻo Kauakuahine, e pā aheahe mai ana paha ʻo Kahaukani, a e piʻo aʻe ana paha ke ānuenue.
Re G. said “This is the best Paella we’ve had since traveling to Spain. Noelia’s Paella is authentic and flavorful. We’ve visited Farmers Markets and wineries just to eat her Paella. It’s worth the drive. Sabores…” read more
In the introduction to his 1978 book Orientalism, scholar of comparative literature Edward Said confronts the complex, constructed understandings of one group of people as they seek to explain another, and discerns the implications.  Central to his thoughtful analysis is the recognition that the concepts of “Orient” and “Orientalism” belong to a Western paradigm that has both material and symbolic features.  Here, the Orient is a physical place defined by Europe both in terms of its geographic location adjacent to the European continent, and as an expression of Western power.
He researched and developed a set of 31 children’s books that were designed to strengthen appropriate Hawaiian language use across a variety of topics. These were produced with funds from a federal grant that afforded wide distribution of current literary materials, free of charge, to all families of Hawaiian language immersion school children. He also worked with immersion teachers to develop a pedagogy that could accompany his books. Moreover, Warner had begun to revolutionize the Hawaiian language pedagogy at the university by creating a grammatical schematic that is culturally relevant and simplifies the acquisition of abstract grammatical concepts. Although these endeavors were all part of his job, whether on or off the clock, he was clearly driven to increase the number of participants in the Hawaiian language revitalization movement. He would talk to students, colleagues, legislators, or anyone else at anytime in an effort to support their involvement in Hawaiian language development.
I loko o nā makahiki, ua noho ʻo Kahalaopuna i ka hauʻoli me Mahana ma Kamōʻiliʻili. Kipa mau akula kona kupuna kāne ʻo Akaaka iā ia, a aʻo maila ʻo ia i kona moʻopuna, ʻaʻole e hele hou i kahakai o plikia auaneʻi. No ʻelua makahiki, mālama ʻo Kahalaopuna i kēia kauoha a kona kupuna kāne, akā, i kekahi lā, ulu aʻela ka ʻiʻini i loko ona e hele i kahakai. Ua hoʻokō ʻo ia i kona ʻiʻini i ka heʻe nalu ʻana ma Waikīkī. Me ka ʻāwīwī e holo ai ʻo Kauhi a nahu aʻela a kaʻawale lā ke kino o Kahalaopuna i loko o nā paukū ʻelua.
Paulette Kahalepuna recently passed in 2014. This changed Mele’s life completely. With the loss of her mother, Mele was now left with an enormous task. The traditions of her ancestors were in her hands and what a great kuleana (responsibility) this is!
E hui hou nā haumāna i ka pā mauʻu nui ma lalo o ka lānai. ʻŌlelo hou ʻia nā ʻōlelo kuhikuhi no ka haʻawina a laila kaʻawale hou ʻia nā haumāna ma nā hui ʻelua i ʻelua hui hou aku.E hoʻomākaukau a hoʻomaʻamaʻa nā haumāna no ka haʻi/hōʻikeʻike moʻolelo ʻana i mua o nā hoa papa.